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Gorham Coin Silver Pitcher Ewer from 1850s
About the Item
Coin silver pitcher / ewer from mid- to late 1850s by Gorham, retailed by Crosby, Hubbard, & Morse in Boston, measuring 11 1/2'' in height and 7 3/4'' from handle to spout and weighing 37.4 ozt. Handle has exquisite applied decoration, including beads, and there is a inscription to Mary Baldwin Irwin in the front which is inserted in engraved floral and geometric patterns.
During the heyday of American silver manufacturing, approximately 1850–1940, Gorham was highly influential. The White House has used Gorham silver services during many administrations. Mary Todd Lincoln purchased an impressive tea and flatware service for use in the White House in 1859. Mrs. Ulysses S. Grant asked Gorham to commemorate the country's one-hundredth anniversary with a spectacular Century Vase that contained over 2,000 oz (57,000 g) of sterling silver, and in 1899, it produced a grand "loving cup" composed of 70,000 dimes was designed for Admiral George Dewey. Colonel Henry Jewett Furber placed the largest single commission Gorham ever received for what became known as the famous Furber service. The opulent 740-piece service represents Victorian era dining at its most elaborate. The monumental silver and parcel-gilt "Neptune" epergne made for Furber as part of this service was displayed at the Philadelphia Centennial Exposition in 1876. Gorham artisans also sculpted the famous monument of George Washington in the Capitol's Rotunda and the statue of Theodore Roosevelt in New York.
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Very rare and important piece of the American silversmith history. This fabulous wine ewer was made by the William Gale & Son Company, just five years before the American Civil War (1861-1865) in the 1856. The rich design and the delicate composition reflects the extreme opulence of the northern United States in these period and the degree of sophistication when serving a table.
By other part, this wine ewer is full of symbolisms, where the degree of knowledge and understanding of the characters of Greek and Roman mythology is demonstrated.
This one-of-a-kind piece was carefully crafted with impeccable details in solid .925/.999 sterling silver. It is fully decorated with ancient Etruscan and Greek revival patterns and architectural neo-classic elements, such the small two balusters and the rosettes located in the handle.
The most significant are the two medallions depicting the classical figures of the helmeted & bearded portrait bust of Dionysus and the portrait bust of his daughter Methe, wearing a diadem made of vine leaves.
This rare pitcher has a total weight of 750.43 grams and a measure of 12 by 7.5 inches (30.5 x 19 cm). The base has a diameter of 4.75 inches (12 cm).
Fully stamped in the underneath, with the silver assay hallmarks, the maker's cartouche GS, the year of production 1856 and signed in full, "W. GALE & SON NEW YORK .925 STERLING GS 1856".
Dionysus, (Bacchus for the Romans), was the god of the grape-harvest, winemaking and wine, of fertility, orchards and fruit, vegetation, insanity, ritual madness, religious ecstasy, festivity and theatre in the ancient Greek culture. The iconographic theme on this sheet refer to the legend of the triumph of Dionysus, or as the Romans called him, Bacchus the god of the grape harvest, winemaking and wine, the son of Zeus and Semele. The Bacchanalia was a religious festival in honor of the wine god, Dionysus.
Methe, was the goddess-nymph of drunkenness in the ancient Greek mythology. She was the daughter and companion of the god Dionysus. She was also the wife of Staphylos (bunch of grapes) and mother of Botrys (grapes).
History: The founder of the firm was William Gale (1799-1867) and the company was located in the number 447 at Broome street in New York. W. Gale invented and patented in 1826 a process for making spoons with ornamental patterns by cutting the ornament on rollers, both the upper and the lower rollers being cut with the pattern. this made the production of pattern spoons much less expensive than the former method of hand hammering patterns by the use of dies. William Gale was succeeded in the business by his son William Gale Jr. (1825-1885) who, after few years, ceased the control of the firm to H.B. Dominick & Leroy B. Haff until 1928 when the business was finally purchased by Reed & Barton.
Note: The signature and hallmarks stamped at the bottom of this piece, correspond to the pieces produced before the US civil war...
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