Vienna Secessionist Crystal Glass Vase Pitcher Koloman Moser Loetz Art Nouveau
View Similar Items
Vienna Secessionist Crystal Glass Vase Pitcher Koloman Moser Loetz Art Nouveau
About the Item
- Creator:Koloman Moser (Designer),Loetz Glass (Maker)
- Dimensions:Height: 8.67 in (22 cm)Diameter: 5.52 in (14 cm)
- Style:Vienna Secession (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1900-1909
- Date of Manufacture:1900
- Condition:Wear consistent with age and use.
- Seller Location:Nierstein am Rhein, DE
- Reference Number:1stDibs: LU2625310396593
Koloman Moser
Born in Vienna in 1868, Koloman Moser briefly attended trade school, honoring his father’s wish to see him in commerce. But he soon surrendered to his artistic inclinations, enrolling in 1885 in Vienna’s Academy of Fine Arts, where he studied painting.
When his father died unexpectedly in 1888, leaving the family in financial straits, Moser (1868–1918) helped out by doing illustrations for books and magazines. Meanwhile, he continued his painting studies, at the academy and then at the School of Arts and Crafts, starting in 1892. That was also the year that Moser, along with other young artists revolting against the Viennese art world’s devotion to naturalism, formed the Siebner Club, the precursor to the Vienna Secession.
Moser’s introduction during his last term at school to Gustav Klimt’s Allegory of Sculpture proved a turning point for the young artist. Christian Witt-Dörring, guest curator of the 2018–19 exhibition “Koloman Moser: Universal Artist between Gustav Klimt and Josef Hoffmann” at the MAK in Vienna, noted a change in the artist’s drawing style. “Primarily inspired by the art of Japan, [Klimt] introduces new paper sizes, fragmented image details, and an emphasis on the line as opposed to the surface,” wrote Witt-Dörring in the exhibition’s catalogue.
A year later, in 1897, Moser together with Klimt, Carl Moll, Joseph Olbrich and Josef Hoffmann founded the Vienna Secession, a union of artists and designers determined to upend Austria’s artistic conservatism. The members were committed to making total works of art: Gesamtkunstwerken. Looking to the English Arts and Crafts Movement, with its guiding principle of unity of the arts, the group attempted to bring art back into everyday life and introduce a local modernism to fin-de-siècle Vienna. Moser, whose membership in the club also afforded him entry into upper-class Viennese society, turned his back on oil painting and forged ahead with Gesamtkunstwerk.
Moser created everything from exhibition design to facade ornamentation for the Secession Building, to graphic materials. Moser also produced posters and advertisements in his “modern style” for various companies. In 1898, he presented his first decor pieces, including hand-knotted rugs and cushion covers. In 1899, Moser began what would become a lifelong professorship at the School of Arts and Crafts. His repertoire now expanded to include furniture, ceramics and patterns like his trademark checkerboard design. He also moved into scenography and fashion and established himself as an interior designer.
The artist decorated his own home in 1902, after which he received a series of important commissions, notably the villa of textile industrialist Fritz Waerndorfer. It was Waerndorfer who provided the financial support that enabled Moser and Hoffmann in 1903 to found the Wiener Werkstätte, a platform for fully realizing their ideal of Gesamtkunstwerk. Two years later, Moser married Edith Mautner von Markhof, the daughter to one of Austria’s great industrial barons, and his work thrived.
In 1907, the Wiener Werkstätte ran into financial trouble. Losing faith in the unity of the arts and disillusioned with the group’s dependency on wealthy patrons like Waerndorfer, Moser left the Werkstätte. He returned to his original discipline, painting, which he continued to practice until his untimely death from cancer, in 1918.
Today, Koloman Moser’s work, from his metal vases to his jewelry to his interiors, remains sought-after and revered. Browse Moser's radically modern creations at 1stDibs.
- Large French Art Deco Nouveau Vase Ivory Color Crackle Ceramic Guerin, 1920sBy Roger GuerinLocated in Nierstein am Rhein, DEExceptional large antique French Art Nouveau / Art Deco ceramic vase probably designed by Roger Guerin in cooperation with Albert Chezal, France around 1910-1930. The crackled glaze ...Category
Vintage 1920s French Art Deco Vases
MaterialsMetal, Pewter
- Signed Large Italian Formentello Murano Art Glass Vase Murine Barovier TosoBy Barovier, Aureliano Toso, FormentelloLocated in Nierstein am Rhein, DEA large and colorful handcrafted Murano Murine art glass vase by Eli Vetri Dárte di Formentello from Murano Italy, 21th Century. The quality of the art glass vase is comparable to Ve...Category
21st Century and Contemporary Italian Modern Vases
MaterialsMurano Glass, Art Glass
- Signed Large Italian Formentello Murano Art Glass Vase Murine Barovier TosoBy Barovier, Aureliano Toso, FormentelloLocated in Nierstein am Rhein, DEA large and colorful handcrafted Murano Murine art glass vase by Eli Vetri Dárte di Formentello from Murano Italy, 21th Century. The quality of the art glass vase is comparable to Ve...Category
21st Century and Contemporary Italian Modern Vases
MaterialsArt Glass, Murano Glass
- Signed Large Italian Formentello Murano Art Glass Vase Murine Barovier TosoBy Barovier, Aureliano Toso, FormentelloLocated in Nierstein am Rhein, DEA large and colorful handcrafted Murano Murine art glass vase by Eli Vetri Dárte di Formentello from Murano Italy, 21th Century. The quality of the art glass vase is comparable to Ve...Category
21st Century and Contemporary Italian Modern Vases
MaterialsArt Glass, Murano Glass
- Large Signed Clear Art Glass Vase Candleholder Oiva Toikka Nuutjarvi Notsjo 1964By Oiva Toikka, Nuutajärvi NotsjõLocated in Nierstein am Rhein, DEEarly large sculptural "Lighthouse", candleholder or vase in clear handblown art glass designed in 1964 by Oiva Toikka and executed by Nuutajarvi Notsjo, Finland, and only produced u...Category
Vintage 1960s Finnish Scandinavian Modern Vases
MaterialsArt Glass
- Extra Large Barovier & Toso Vase Murano Art Glass "Morbido" Toni Zuccheri, 1984By Barovier&Toso, Toni ZuccheriLocated in Nierstein am Rhein, DEA very rare of large-scale "Morbido" Murano art glass vase designed by architect Toni Zuccheri in 1984 and executed by Barovier & Toso Murano Italy. Early execution and signed at the...Category
Vintage 1980s Italian Mid-Century Modern Vases
MaterialsArt Glass, Murano Glass
- Koloman Moser Art Nouveau Glass Pitcher by Loetz Witwe, Bohemia, 1900sBy Koloman Moser, Johann Lötz Witwe, Loetz GlassLocated in Vienna, ATA beautiful mouth blown Art Nouveau / Jugendstil glass pitcher, dated around 1900, designed by Vienna Secessionist Kolo Moser. This lovely jug is handmade of clear crystal glass and ...Category
Antique Early 1900s Czech Art Nouveau Glass
MaterialsCrystal
- Loetz Vase Art Nouveau Secessionist Art Glass Phaenomen 6893 Antique LötzBy Loetz GlassLocated in Bad Säckingen, DEAntique Art Nouveau chalice shaped art glass vase created by the Loetz glassworks company, which was active during the late 19th and early 20th centuries, this vase represents a prime example of their artistic mastery. The vase features a cobalt blue ground that adds depth and richness to its overall appearance. Its surface showcases a captivating iridescent wave pattern, which adds a mesmerizing shimmer and dynamic quality to the glass. This iridescence is a hallmark of Loetz glassware and is achieved through the application of special techniques during the glassblowing process. The chalice-form of the vase gives it an elegant and graceful silhouette. This design creates a harmonious balance between the visually striking upper portion and the sturdy base. Loetz glasswares are renowned for their exceptional artistry and their ability to capture and play with light. The Phaenomen Genre 6893 vase, with its dark blue color and iridescent wave pattern, is no exception. When light interacts with the glass, it reveals a captivating range of colors and reflections, making it a visually stunning and attention-grabbing piece. As an antique Loetz glass vase...Category
Antique 1890s Austrian Art Nouveau Vases
MaterialsLuster, Glass, Art Glass, Blown Glass
- Bohemian Glass Vase Loetz Koloman Moser circa 1900 Blue GreenBy Koloman Moser, Loetz GlassLocated in Klosterneuburg, ATBohemian glass vase, manufactured by Johann Loetz Witwe, Flecken und Streifen decoration, ca. 1900, Green, Blue, Viennese Art Nouveau, Jugendstil, Art Deco, art glass, iridescent gla...Category
Antique Early 1900s Austrian Jugendstil Glass
MaterialsGlass
- Loetz Glass Vase "Crete Papillon" by Koloman Moser for E. Bakalowits, circa 1899By Koloman Moser, Johann Lötz WitweLocated in Lichtenberg, ATStunning Loetz glass vase by Koloman Moser for E. Bakalowits made in Klostermuehle/ Bohemia, circa 1899. This rare Bohemian glass vase was designed by none other than world-famous Au...Category
Early 20th Century Czech Art Nouveau Glass
MaterialsBlown Glass
- Vintage Blenko Art Glass Vase PitcherBy Blenko GlassLocated in Chicago, ILA Vintage Blenko Art Glass vase pitcher. Attributed to Wayne Husted.Category
Mid-20th Century American Mid-Century Modern Vases
MaterialsArt Glass
- French Mid-Century Art Glass Flower Vase or PitcherLocated in Miami, FLFine French art glass vessel "Pate de Verre", circa 1960s. Stunning colors and glazing particularly when viewed in the sunlight. This beautiful piece has very vivid colors and will...Category
Vintage 1960s French Mid-Century Modern Vases
MaterialsArt Glass