Large George II Silver Salver London 1738 by John Tuite

An excellent silver salver with scrolling shell pattern rim and the whole resting on four hoof feet. The center engraved with an armorial. (see pictures) The armorial is surrounded b...

A rare set of 3 early George III silver salvers or trays. Consisting of a large salver accompanied by two smaller salvers or waiters. All with intricately cast, pierced gallery borde...

A very good large silver swing handle basket of pierced oval form. The arched swing handle with two cast female busts arising from a leaf capped double C-scroll support. The cast and applied rim of shaped foliate and floral entwined decoration. The central bowl of the basket engraved with a rocaille cartouche containing an armorial. The top of the handle is decorated with a leaf form cartouche within which is the crest of a deer. The sides of the raised basket with hand cut pierced decoration. The whole standing on four cast and applied legs, decorated with a beautiful scrolling foliate design rising to high relief female faces, on leaf-form pad feet. Hallmarked to the underside for London 1747 by Edward Aldridge. The underside of the handle bears the lion passant and maker’s mark, both struck twice. This is a beautifully decorated and impressive piece of early Georgian silver...

A very large George II silver swing handle harvest basket by William Tuite. Of pierced oval form, adorned with an immaculately cast rim decorated with scrolls, wheat sheaves and grapes surrounding four putti collecting the harvest. Each of the eight pierced sections are framed by cascading harvest bounty. The arched, swing handle decorated with matching floral, wheat and grape decoration, supported either side by a cast putti...

Hallmarked in London in 1771 by Ebenezer Coker, this handsome, Antique, George III period, Sterling Silver Salver, stands on 4 flared feet, and features a shaped gadroon border, and ...

The Salver stands on three hoof feet and displays a raised shaped border decorated with scrolls and Rococo shell details. The centre of the Salver is engraved with a contemporary Arm...

Heading : Geogian sterling silver salver with engraving Date : Hallmarked in London in 1742 for Philip Garden Period : George II Origin : London, England Decoration : Chippendale sty...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...