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Silver tray. Mateo Martínez Moreno, Cordoba, Spain, 1789.

$2,014.75
£1,504.36
€1,700
CA$2,763.36
A$3,105.83
CHF 1,617.43
MX$37,774.58
NOK 20,697.06
SEK 19,626.91
DKK 12,941.43
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About the Item

Font. Silver. Mateo Martínez Moreno, Cordoba, Spain, 1789. With contrast markings. Silver dish in its color, oval in shape and great depth, which presents contrasting marks and an edge composed of smooth moldings of different widths curved drawing waves, ending in four peaks that extend towards the bottom of the piece, thus drawing a series of curves and countercurves This form is known as "cut profiles", and was a common resource in eighteenth-century Spanish silverware that followed or was influenced by Rococo models. The aforementioned marks (frustras) could place the completion of the work in Córdoba, in the period in which Mateo Martínez Moreno worked as a faithful contrast, also providing the date of 1789. Weight: 858 grams. · Size: 38x6,5x27 cms International Buyers – Please Note: for those articles that need Export Permits (those older than 100 years), the obtaining of the Permit will be processed without additional expenses (if you choose the seller sends it to you), but the period for the obtention of it may vary from 10 to 35 days.
  • Creator:
  • Dimensions:
    Height: 2.56 in (6.5 cm)Width: 14.97 in (38 cm)Depth: 10.63 in (27 cm)
  • Style:
    Neoclassical (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
    1780-1789
  • Date of Manufacture:
    1789
  • Condition:
    Wear consistent with age and use. Minor structural damages. Minor fading.
  • Seller Location:
    Madrid, ES
  • Reference Number:
    Seller: zf10431stDibs: LU2951332533922

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Salva cordobesa in silver, 1759-1768. With brands. Córdoba, Spain. Weight: 820 g. Salva in silver Rococo style, with punches of Cordoba and the score Bartolomé Gálvez y Aranda. It has a high, stepped foot, with a circular base, adorned with incised streaks and other simple motifs of a Classic type, announcing the change of language towards Neoclassicism. However, the dish itself is still distinctly Rococo, with a profile of curved mitering that translates into edges in the eaves. Bartolomé Gálvez y Aranda was a silversmith, although he worked as a marker between 1759 and 1772, using for this work the punch that we see here: his surname in capital letters, in very trapezoidal frame and surmounted by a fleur-de-lys in three-lobed projection. To this punch Gálvez y Aranda will add since 1768 the chronological mark, so this salvo would be dated between 1759 and 1768. It is also an especially interesting piece to come from Cordoba, the main center of Spanish silverware of the Rococo period, from whose workshops came religious and profane pieces of high quality, aimed at customers not only local but throughout the Iberian Peninsula, reaching even the Canary Islands and Latin America. The great diffusion of the Cordovan silversmith will take place, in fact, in the last quarter of the 18th century, through the so-called master silversmiths. These characters acted as trade corridors, according to Pérez Grande, visiting the churches and fairs held throughout the country. The activity of these silversmiths was also favored by tax exemptions...
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