Spode Greek Ware Platter Blue white and Red
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Spode Greek Ware Platter Blue white and Red
About the Item
- Creator:Spode (Manufacturer)
- Dimensions:Height: 3 in (7.62 cm)Width: 20.5 in (52.07 cm)Depth: 16.5 in (41.91 cm)
- Style:Neoclassical (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1810
- Condition:
- Seller Location:Katonah, NY
- Reference Number:1stDibs: 1407188665722
Spode
Spode is one of the oldest and most distinguished of the great pottery companies of Staffordshire, the time-honored home of English ceramics. The firm’s blue and white bone china transferware is a timeless classic. Spode dishes compose the sort of elegant dinner service that most of us envision on a traditional holiday table.
The company was established in 1770 in Stoke-on-Trent by Josiah Spode, a friend and neighbor of another estimable English ceramist, Josiah Wedgwood. Spode was particularly known for two technical achievements in the firm’s early decades. The first was to develop a standard formula for the making of bone china — a type of porcelain (made with a mixture of bone ash, minerals and clay) that is dazzlingly white and so strong it can be used to create very thin translucent plates and vessels. The other was to perfect the making of transferware. That process involves the transfer of pictorial images inked on tissue paper — such as the garden scenery in the famous Willow dish patterns — onto ceramics that are then sealed with a glaze. In 1833, following the sudden death of Josiah Spode III, business partner W.T. Copeland took over the company and changed its name. Collectors regard Copeland-marked pieces as Spode china. The Spode brand was revived in 1970.
From the 1820s onward, Spode enjoyed tremendous success both in Britain and elsewhere owing to the beauty and vitality of its decorative imagery. By some counts, Spode created more than 40,000 patterns in the 19th century. Many favorite Spode patterns — among them Blue Italian, India Tree, Greek and Woodland — date to the company’s early years. Spode’s most popular pattern, Christmas Tree, was introduced in 1938. Prices for Spode china vary widely, based on the size of the service, its condition and the pattern. An antique dinner service for 12 people or more, in good repair and complete with cups and serving dishes, will generally cost between $10,000 and $20,000. Such Spode services become heirlooms — a proud and timeless addition to a family’s table. And as you will see on these pages, Spode’s rich and varied wares offer a visual feast in and of themselves.
- Pair Large Blue and White Spode Greekware Platters England C-1810 NeoclassicalBy SpodeLocated in Katonah, NYSpode made these fabulous Greekware platters circa 1810. They are decorated in the neoclassical "Greek" pattern with classical figures and mythological scenes based on ancient Greek and Roman art. The dramatic pattern shows a scene from Olympic history. At the center, Cynisca wins the four-horse chariot race at the Greek Olympic Games in 392 BC. She became the first woman to win at the Olympics.** They are large, measuring 20" x 15.5" x 1.75" deep Each rectangular platter is printed in blue with leaf and berry ground, radiating medallions, and urns containing classical scenes. This was the first multi-scene pattern introduced at the Spode factory. Dimensions: 20" x 15.5" 1.75" deep Condition: Excellent. Price: $ 4,400 The central image was taken from a 1791 collection of engravings...Category
Antique Early 19th Century English Neoclassical Platters and Serveware
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- Large Blue and White Spode Greekware Platter England Circa 1810 NeoclassicalBy Josiah SpodeLocated in Katonah, NYSpode made this fabulous platter circa 1810. It is decorated in the neoclassical "Greek" pattern with classical figures and mythological scenes based on ancient Greek and Roman art. It is large, measuring 20" x 15.5" x 1.75" deep, and is perfect for hanging. The dramatic pattern shows a scene from Olympic history. At the center, Cynisca wins the four-horse chariot race at the Greek Olympic...Category
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- Pair Spode Shell-Shaped Dishes Orange and Blue Early 19th Century, Circa 1820By SpodeLocated in Katonah, NYSpode made this pair of fine quality shell-shaped dishes in England in the early 19th century, circa 1820. The dishes were printed in shades of orange and blue Orange and blue is t...Category
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- Pair Antique Spode Oval Shaped Dishes Decorated with Waterlilies England C-1825By Josiah SpodeLocated in Katonah, NYThe most exceptional aspect of this pair of dishes is the fabulous gilding lavished over the cobalt borders. As a less prominent feature, the gilding carries throughout the decoratio...Category
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- Large Wedgwood Creamware Platter England Circa 1820By WedgwoodLocated in Katonah, NYThis is a large Wedgwood creamware platter with a beautiful band of pink daisies with green leaves. The pink and green complement each other perfectly. It's a happy pattern! The plat...Category
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- Early Spode Red Greek Pattern TileBy Spode, Josiah SpodeLocated in Fort Lauderdale, FLA Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...Category
Antique Early 19th Century English Neoclassical Pottery
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