Pair of Bocage Candlesticks, Putti and Goats. Bow 1766

An attractive pair of lions, in the white; possibly based on a Chinese original.

This example illustrated Tilley 1957, Pl. LXVII, #203 who, p.127, also draws attention to the similarity of the modelling of the figure and the Bow Mongolian busts, and their similar...

She stands barefoot, wearing a long-sleeved robe in white, deep pink and washed pale yellow and partly edged with gold; a red and gilt-topped sceptre in her right hand, an outsize pe...

Pair of Sauceboats, circa 1752-1755: Of flat hexagonal form with waved top and scroll handle, painted after the Chinese in blue with the ‘desirable residence pattern’ of a building...

Each of shallow circular form with scalloped rim and painted in the Kakiemon two Quail pattern with a pair of partridges standing between a flowering prunus and a kikyo bush amidst f...

Flemish man and wife, in the white. He wears an open coat, waistcoat, breeches and tricorn hat, and plays a hurdy-gurdy. She wears a sleeved dress, long apron and linen cap and carri...

Pair of Derby porcelain bocage candlesticks, c. 1765. Modelled as a boy and girl gathering flowers in their aprons, before elaborate bocage. Each figure with a candle sconce issuing from the bocage. Set upon elaborate rococo scroll...

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...

This is a fabulous pair of figures of Liberty and Matrimony made by the Bow Porcelain factory between 1760 and 1764. These figures were a popular pair portraying marriage. The bow...

This is a rare and beautiful figure of Venus with two doves, made by the bow porcelain factory between 1756 and 1764. We see Venus standing holding her robe with one hand, a flower p...

This is a very rare and impressive large figure of Juno with an eagle, made by the Bow Porcelain factory in about 1765. This figure formed part of a series of the Four Elements, with...

This is a very rare and impressive complete set of large figures called The Four Elements, made by the Bow Porcelain factory in about 1765. It consists of Ceres representing Earth, V...