Leach Pottery Studio 'Medieval' Jug, Mid-20th Century

A stylish and early Cornish, Leach Pottery St Ives studio pottery lidded green glazed pot dating from the early to mid 20th century. The stoneware po...

From a large collection of studio pottery we offer this very fine quality John Leach studio pottery jug dated 2009. John is a member of the renowned Leach family and is the son of David Leach and eldest grandson of Bernard Leach. The handled jug of oval shape has a squeezed body with a handle and tall narrow pouring spout and is decorated in wax resist...

A fine vintage British studio pottery yunomi (teacup) by renowned potter Micki Schloessingk (b. 1949) and made in Swansea, Wales. The stoneware yunomi is of rounded cylindrical shape...

A very stylish vintage studio pottery decanter and stopper made in Wales at the Laugharne Pottery. The tall elegant pottery decanter is of bottle sha...

A very fine and stylish Studio Pottery miniature teapot of squat rounded form with a woven cane handle and finely decorated in metallic brown glazes o...

A stunning vintage studio pottery miniature teapot by Mary Rich decorated in mottled pink glazes on a light grey stone ground. The tall bulbous porcel...

A monumental-scale mid-20th century American studio hand-thrown glazed ceramic bowl with fantastic texture and earthy neutral glaze colors. Signed illegibly on the bottom.

LLANGOLLEN POTTERY - Early wheel thrown terracotta studio pottery vase - glossy cat's eye glaze (brown streaked with white) - white glazed interior - dramatic form showing finger rid...

Mid-20th century small stoneware jug by Pigeon Forge Pottery, Tennessee. Signed on the bottom, this adorable, matte beige jug has been handcrafte...

JUDY Phillips - Vintage Studio Pottery stoneware charger with raised rim and contrasting glaze detail - signed on the base - numbered J.25 - Canada - late 20th century. Excellent ...

Hand made glazed studio pottery shallow bowl or plate by Amelie (Amely, Aly) Richter, in plum, lavender and black ues. Signed Aly Richter on underside. Before her marriage to Dr Georg Martin Richter, in November of 1920, naturalised American citizen, Amelie (Amely, Aly) Richter, had been a Baroness, born in Bavaria and raised in France. A long-time hobbyist, after Dr Richter’s death in 1942, Amelie opened her own studios for art and interior design in New York and London, where she refurbished and embellished old furniture. Inspired by her many trips with Georg to museums and archives, Amelie was known to utilise motifs borrowed from prehistoric cave paintings and American Indian art, and to accent her pieces with semi-precious stones, in shades of purple and turquoise. After directing the arts and crafts department at private high schools in Arizona and California, between 1947 and 1951, Amelie moved to Boston where she studied ceramics at the Museum School of Fine Arts, under the tutelage of Norman Arsenault. She continued her training at the Alfred University where she took technical classes in glaze calculations and clay-body composition, before becoming a member of the Pottery Workshop...

A Group of Three 20th Century Art Pottery Pieces, From left: Bottle vase inspired by Shoji Hamada and Bernard Leach. Thick crimson "orange peel" glaze, accentuated light rust edges,...