Porcelain Pottery

A very stylish studio pottery porcelain mug decorated with columns design by Susan Parkinson for the Richard Parkinson Pottery and made between 1953 an...

This is a matcha bowl for tea ceremony. This bowl is made with porcelain and it was made around 1970s in Showa era. Dimensions: 12 x 12 x H7,5 cm

This superb large and highly decorative pair of 19th century Mansion House dwarfs are in the style of early Derby examples reproduced by the famous French Paris factory Samson who w...

Pair of Asian lidded vases, porcelain, 20th century. Porcelain, blue painting with Asian design. Bulbous body with a curved lid crowned wit...

This is a sake bottle which is called 'tokkuri' in Japanese. This tokkuri is made with porcelain and it is hand painted. It was made in Showa era around 1970s. The design is the land...

1950s Pair of oriental urns with flower decorations.

A rare and fine quality pair of 19th century Meissen porcelain nodding Pagodas, each with wonderful bold coloured hand painted decoration, wit...

Two miniature stone jars produced at Raus in Helsingborg in Sweden. They are about 6.5 cm high and in excellent condition.

Beautiful large tile painting of a Gothic church interior by W.B. van Horssen (1863-1931). We very recently purchased a small collection of very rare antique plaques, tiles and vases by some of the best known maker's in the history of Dutch ceramics. This unique, hand-crafted and hand-painted work of art is the first one of that collection and this stunning and rare, single tiles plaque is in its original wooden frame. Because of their contrasting colors, the frame and tile painting go together really well. And these are in fact two works of art, because both the stunningly hand-painted tile and the wooden frame are as good as they come. With the borders of the frame coming as far outward as they do and the Gothic church interior that is drawing your attention deep into the back of the church, they really complement each other. However beautiful the frame is, this antique ofcourse is about the painting and this particular painting is by one of Rozenburg's finest (Wijnand Bastiaan van Horssen) who has perfectly managed to enhance the depth that is already in this composition, thus creating a visual effect that is an absolute joy to look at. By the way, the price that you see on the 'sticker' that the former owner put on the back after he had purchased this piece was put there in the 'old days' when we still had the Dutch guilder. The original painting of the Nieuwe Kerk in the Hague Holland (built in circa 1650) was by J. Bosboom. Besides one small old crack and a few minor imperfections to the frame, this unique and wonderful work of art is in very good condition still and may it grace the home or chapel of a Gothic style enthousiast soon. Mind you, because of their relative fragility very few of these amazing and high value works of art are still around. Rozenburg of the Hague, where this unique tile painting was created, was always one of the greats in Dutch ceramics and many of their works grace museums all over Europe. Rozenburg’s shareholders included the likes of the marine painter H.W. Mesdag (1831-1915) and the poet and literary critic Carel Vosmaer (1826-1888), and its tile painters numbered rising artists like Willem de Zwart...

Service,porcelain tableware with Napoleon Pirkenhammer 1880 Spectacular Pirkenhammer porcelain service for Ginori Italy of the 19th century with the environment of Napoleon The service is for 12 people and is formed by: 82 pieces -2 fruit bowls -1 tureen -12 deep plates -12 small plates...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

Elegant and refined small Japanese-style porcelain vase. Aesthetic Movement piece with a blue background and colorful geometric patterns typical of Christopher Dresser's designs enha...

This is a rare porcelain desert dish or chestnut basket made by the Chelsea-Derby factory during the 18th Century, circa 1770. This pierced, reticulated Desert Dish or Chestnut Ba...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

This is a beautiful dessert serving dish made by Rockingham in Yorkshire between about 1820 and 1825. The dish is made of creamware and decorated with a bold cobalt blue and gilt pat...

Two beer steins, made in Germany. Absolutely gorgeous pieces still in great condition, on with little crack at the lid. Lid works properly. The lids with age-related scratches from u...

Large Art Deco vase in the style of Jean Style Dunand. Porcelain with high gloss lacquer and gold leaf details. Contemporary. Handmade by artist Eliade...

Extremely decorative horse head with impressive facial expressions. 20.Jhd. Ceramics. Very fine and detailed processing. Undamaged condition. ...

Staffordshire Pottery porcellaneous stirrup cup which features a fox head, stood directly on the ground, no base. Dull gilt base line. Decorated 'in the round' - decoration to front ...

A very stylish Suzanne Bergne (b.1939) Studio Pottery porcelain bowl of open rounded shape with vivid green running splashes on a pale brown unglazed body. The bowl has an impressed ...

A stylish vintage British studio pottery twin handled vessel by Colin Pearson. The vessel is made in porcelain and is of cylindrical shape with ...

Extremely decorative horse head with impressive facial expressions. 20.Jhd. Ceramics. Very fine and detailed processing. Undamaged condition. ...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

Two blue and red Arabia Finland stock jars, 1949-1954 The lidded jars are stackable, by placing the round on the square The porcelain jars has a lid made of strong solid plastic Marked on the bottom, used during 1949-1954 The measurements are 20 and 13 cm high, 9,5 cm square and 9,8 cm diagonal The weight in total is 1253 gram In 1873 the Finnish factory Arabia started off with the manufacture of porcelain and earthenware on a plot of land carrying the same name on the northern outskirts of Helsinki. Being a subsidiary of the Swedish ceramics factory Rörstrand, it was up to Arabia to serve the Russian market in a period of Boom. After the successful World Fair, which was held in Paris in 1900, a period of economic decline began and demand from Russia and North America for porcelain and earthenware from Finland started to slacken off. At the end of WW I, Arabia was passed into Finnish hands and a period of prosperity began. In 1929, the factory took over parent company Rörstrand. After the economic depression in 1932, demand for earthenware and porcelain collapsed and the company started to Pioneer by automatising the production process and improving efficiency. During WW II the factory had expanded enormously and employed some 2,000 workers. Kaj Franck was hired in 1945 who designed and introduced the 'Kilta' range in the early 50s, a leading example of the modernisation process, involving new concepts relating to kitchen ware that a household might need. This took Arabia into the realm of modern communication and advisory work which included educating the public, consultation and press services. In addition to the Kilta range, other new products came on the market including 'AR-Heini' (Kaarina Aho...