Monumental Ceramic Vase by J. David Broudo

A monumental Oil Jar or large floor vase in a green glaze. It was purchased out of the estate of a long time antique dealer's home. He collected Catalina pottery but this is more rem...

A pretty marked Weller vase in the Coppertone line depicting a frog. Quite cut. There is an old repair to the top of one flared edge, please see the detaile...

Wonderful pottery vessel by the noted glass and ceramic artist Henry Halem. Mr Halem is a retired professor of glass at Kent State University. The vessel ...

A beautiful glazed and textured Terracotta vase monogrammed on the base GP.

A really great looking hand thrown terracotta vase signed JDL for Jean de Lespinasse. (1896-1979) It is signed on the base with a number. It is well scaled and well executed.

A stunning massive pottery bowl by Bottega Vignoli of Faenza Italy. The firm was founded in 1976 by sisters Saura and Ivana. This vibrant piece is signed and dated on the bottom 2014...

Large-scale stoneware vessel created by Massachusetts ceramist, Joseph David Broudo. Piece has an amazing abstract glaze with scrafitto texture, re...

Erna Aaltonen "Morris", 2017. Unique.

Erna Aaltonen "Freya", 2018 Ceramic; unique.     

An unusual black and white ceramic vase, hand-painted by Mancioli, Italy, circa 1960s.

Orange Jelly, 2018 (Porcelain; Unique, C. 7.6 in. h x 3.2 in. d. Object No.: 3590) The ceramic designer Ahryun Lee was born in Seoul, South Korea in 1989 and lives and works in Muni...

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...