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Plate. Silver in its colour. Madrid, Spain, 1731-1738.

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Naveta. Silver in its colour. Salamanca, Spain, 1824- 1850.
Located in Madrid, ES
Naveta. Silver in its colour. Salamanca, Spain, 1824- 1850. With contrast marks and text. Silver vessel in its colour with a circular, stepped base decorated with ready mouldings, ...
Category

Antique 19th Century Spanish Neoclassical Religious Items

Materials

Silver, Other

Jug or Jar, Silver, Sellan, Juan. Madrid, 1847
By Juan Sellán
Located in Madrid, ES
Jug. Silver. SELLAN, Juan. Madrid, 1847. With contrast markings. Silver pitcher in its color that has a flat handle decorated with simple openwork plant elements between two smoo...
Category

Antique 1840s Spanish Neoclassical Serving Pieces

Materials

Silver

Silver Inkstand, with Hallmarks, Madrid, Spain, 1779
Located in Madrid, ES
With hallmarks and property marks (AL). A tray of curved profiles is supported on four legs in the shape of plant elements. Fixed to it are four elements. These, and the bell, prese...
Category

Antique 1770s Spanish Neoclassical Inkwells

Materials

Silver

Ashtray. Silver (.833) in its colour. Porto, Portugal, 1938-1984.
Located in Madrid, ES
Ashtray. Silver (.833) in its colour. Porto, Portugal, 1938-1984. With contrast marks. Ashtray with two silver supports in its colour, decorated with a series of vegetal and archit...
Category

20th Century Portuguese Rococo Revival Tobacco Accessories

Materials

Silver

Silver Fruit Tray or Tray, Córdoba, Bartolomé Gálvez y Aranda, 1759-1768, Spain
By Bartolomé Gálvez y Aranda
Located in Madrid, ES
Salva cordobesa in silver, 1759-1768. With brands. Córdoba, Spain. Weight: 820 g. Salva in silver Rococo style, with punches of Cordoba and the score Bartolomé Gálvez y Aranda. It has a high, stepped foot, with a circular base, adorned with incised streaks and other simple motifs of a Classic type, announcing the change of language towards Neoclassicism. However, the dish itself is still distinctly Rococo, with a profile of curved mitering that translates into edges in the eaves. Bartolomé Gálvez y Aranda was a silversmith, although he worked as a marker between 1759 and 1772, using for this work the punch that we see here: his surname in capital letters, in very trapezoidal frame and surmounted by a fleur-de-lys in three-lobed projection. To this punch Gálvez y Aranda will add since 1768 the chronological mark, so this salvo would be dated between 1759 and 1768. It is also an especially interesting piece to come from Cordoba, the main center of Spanish silverware of the Rococo period, from whose workshops came religious and profane pieces of high quality, aimed at customers not only local but throughout the Iberian Peninsula, reaching even the Canary Islands and Latin America. The great diffusion of the Cordovan silversmith will take place, in fact, in the last quarter of the 18th century, through the so-called master silversmiths. These characters acted as trade corridors, according to Pérez Grande, visiting the churches and fairs held throughout the country. The activity of these silversmiths was also favored by tax exemptions...
Category

Antique Mid-18th Century Spanish Rococo Serving Pieces

Materials

Silver

Silver Writing Set, Madrid, Spain, 1819 and 1841, with Hallmarks
Located in Madrid, ES
Writing desk. Silver. Madrid, 1819 and 1841. With contrast marks. Artificer M. García. Property initials. Clerk composed of three containers on a slightly raised base on animal claws...
Category

Antique 19th Century Spanish Neoclassical Sterling Silver

Materials

Silver

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