Carlo Scarpa for Cleto Munari Silver Plated Squared Italian Tray, circa 1970
View Similar Items
Carlo Scarpa for Cleto Munari Silver Plated Squared Italian Tray, circa 1970
About the Item
- Creator:Carlo Scarpa (Designer),Cleto Munari (Manufacturer)
- Dimensions:Height: 0.6 in (1.5 cm)Width: 11.03 in (28 cm)Depth: 11.03 in (28 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1970
- Condition:Wear consistent with age and use.
- Seller Location:Aci Castello, IT
- Reference Number:1stDibs: LU2394317242121
Carlo Scarpa
Carlo Scarpa was born in Venice in 1906 and became one of the leading figures of architecture and international design during the 20th century. At merely 21 years old — and still a student at the Academy of Fine Arts — Scarpa began working as a designer for master Murano glassmaker M.V.M. Cappellin. Within a few years, he completely revolutionized the approach to art glass.
In a short time, under the guidance of Scarpa, the Capellin furnace not only established itself as the top glass company, but above all it introduced modernity and international fame to Murano glassmaking. Scarpa created a personal style of glassmaking, a new vision that irreversibly changed glass production.
The young Scarpa experimented with new models and colors: his chromatic combinations, impeccable execution and geometric shapes became his modus operandi. Thanks to Scarpa’s continuous research on vitreous matter, Cappellin produced a series of high-quality glass objects, that saw the company revisiting ancient processing techniques such as the watermark and Phoenician decoration.
When he encountered the challenge of opaque glass, Scarpa proposed introducing textures of considerable chromatic impact, such as glass pastes and glazed glass with bright colors. Scarpa also collaborated in the renovation of Palazzo da Mula in Murano, the home of Cappellin. At the academy, he obtained the diploma of professor of architectural design and obtained an honorary degree from the Venice University Institute of Architecture of which he was director.
In 1931, Scarpa's collaboration with Cappellin ended, following the bankruptcy of the company because it was not able to withstand the economic crisis linked to the Great Depression. But Scarpa did not go unnoticed by Paolo Venini — in 1933, the young designer became the new artistic director of the biggest glass company in Murano.
Master glassmakers thought Scarpa's projects and sketches were impossible, but the passionate and curious designer always managed to get exactly what he wanted. Until 1947 he remained at the helm of Venini & Co., where he created some of the best known masterpieces of modern glassmaking. Scarpa’s work with Venini was characterized by the continuous research on the subject, the use of color and techniques that he revisited in a very personal way, and the development of new ways of working with master glassmakers.
At the beginning of the 1930s, "bubble", "half filigree" and "submerged" glass appeared for the first time on the occasion of the Venice Biennale of 1934. A few years later, at the Biennale and the VI Triennale of Milan, Venini exhibited its lattimi and murrine romane pieces, which were born from a joint idea between Scarpa and Paolo Venini.
In 1938 Scarpa increased production, diversifying the vases from "objects of use" to sculptural works of art. In the same year he laid the foundation for the famous "woven" glass collection, exhibited the following year. In the subsequent years, Scarpa–Venini continued to exhibit at the Biennale and in various other shows their the "black and red lacquers," the granulari and the incisi, produced in limited series, and the "Chinese," which was inspired by Asian porcelain.
Scarpa's creations for Venini garnered an international response and were a great success, leaving forever an indelible mark on the history of glassmaking. The last Biennale in which Carlo Scarpa participated as artistic director of Venini was in 1942. He left the company five years later.
The time that Scarpa spent in the most important glass factory in Murano would attach a great artistic legacy to the company. His techniques and styles were resumed in the postwar period under the guidance of Tobia Venini, Paolo's son. In the 1950s, after the departure of Scarpa, Fulvio Bianconi was the new visionary at the Biennials with Venini.
On 1stDibs, vintage Carlo Scarpa glass and furniture are for sale, including decorative objects, tables, chandeliers and more.
(Biography provided by Ophir Gallery Inc.)
- 1990s Modernist Silver Plated Vide Poche by Mattia Pastorino for Cleto MunariBy Cleto MunariLocated in Aci Castello, ITA silver plated square tray designed by Mattia Pastorino for Forme Contemporanee di Cleto Munari, other important designers like Carlo Scarpa and Gio Ponti cooperate for this series ...Category
Late 20th Century Italian Modern Decorative Dishes and Vide-Poche
MaterialsSilver Plate
- Modernist Italian Silver Plated Centerpiece Designed by Enrico Baldaro, 1970By Schiavon ArgenterieLocated in Aci Castello, ITA particular silver plated and smoked glass centerpiece designed by the Sicilian architect Enrico Baldaro for Angelo Schiavon.Category
Mid-20th Century Italian Modern Sheffield and Silverplate
MaterialsSilver Plate
- 1970s Iconic Modernist Silver Plated Italian Basket Design by Lino SabattiniBy Lino SabattiniLocated in Aci Castello, ITA stylish silver plated spiral bowl made in Italy in the Seventies by Sabattini argenteria. this piece it's in original patina, it can be easily cleaned. It's an iconic modernist pie...Category
Mid-20th Century Italian Mid-Century Modern Decorative Baskets
MaterialsSilver Plate
- 1990s Campbell Soup Square Glass Tray Designed by Andy Warhol for RosenthalBy Andy Warhol, RosenthalLocated in Aci Castello, ITThe glass tray designed by Andy Warhol for Rosenthal is a decorative tray that features Warhol's iconic Campbell Soup can designs. This tray was created in the 1990s by Rosenthal, a German porcelain and glassware manufacturer, as part of a limited edition series of home decor items featuring Warhol's artwork. It's in perfect condition, probably never used, and signed by Andy Warhol on the front and labeled by Rosenthal on the bottom. The tray is made of clear glass and has a square shape with rounded corners, making it a compact but eye-catching piece of decor. The tray's surface features a continuous, colorful reproduction of one of Warhol's Campbell Soup can designs, which were first created in the 1960s as part of his exploration of consumer culture and advertising. The tray's design is simple but bold, and its use of vibrant colors and familiar imagery make it a great conversation starter and a fun addition to any room. As a limited edition item designed by a well-known artist, the tray may have some collectible value among fans of Warhol's work or collectors of vintage glassware...Category
Late 20th Century German Modern Platters and Serveware
MaterialsGlass
- 1970s Mid-Century Modern Brass Lucite and Smoked Glass Italian TrayBy Christian DiorLocated in Aci Castello, ITThis rectangular Italian Tray is a stunning example of the design aesthetic that was prevalent during Seventies. This tray embodies the key ch...Category
Mid-20th Century Italian Mid-Century Modern Platters and Serveware
MaterialsBrass
- 1970s Mid-Century Modern Brass and Smoked Glass Italian Serving TrayBy Tommaso BarbiLocated in Aci Castello, ITA brass and smoked glass rectangular tray designed and manufactured in the Seventies in the style of Tommaso Barbi, it's in good conditions overall with normal signs of use and age. ...Category
Mid-20th Century Italian Mid-Century Modern Platters and Serveware
MaterialsBrass
- Gio Ponti for Cleto Munari Modernist Silver Plated Serving Plate Italy, 1980sBy Gio Ponti, Cleto MunariLocated in Roma, ITAmazing mid-century silver plate serving plate. Gio Ponti designed and signed this astonishing item for Cleto Munari in Italy during the 1980s. The flat and efficient design on two round levels, make this piece simply irresistible and iconic for midcentury lovers. This piece will smarten a midcentury living room or minimal and chromed bar. This wonderful piece is in very good condition. Dimensions (cms): Diameter - 32 Giovanni “Gio” Ponti, (Milan, November 18, 1891 - Milan, September 16, 1979), is one of the Italian masters of architecture. He was also a designer and essayist and one of the most important of the twentieth century. Other than the great architectural works which carry his unmistakable signature, he created a vast amount of work in the furniture sector. This is demonstrated in his three Milanese houses which were fully furnished in the "Ponti" style. The houses in via Randaccio, 1925, Casa Laporte in via Brin, 1926 and the last in via Dezza, in 1957 is an "expression" of his home design ideas. Gio Ponti was an Italian promoter of industrial design and introduced the idea of interior furnishing ranges produced as being a "sophisticated," economic, "democratic" and modern. Molteni&C managed a reissuing project of furniture and furnishings designed by Gio Ponti for products for these private homes and limited editions. After a long journey of research, selection and study of prototypes, the collection was exhibited at the Salone del Mobile 2012. This was thanks to the cooperation and the exclusively signed agreement of the Ponti heirs and the artistic director of Cerri & Associati Studio. Gio Ponti graduated in Architecture at the Polytechnic of Milan at the end of World War I, after he fought on the front line earning military decorations. In 1921 he married Giulia Vimercati, with whom he had four children: Lisa, Giovanna, Letizia and Giulio. In 1927 he opened a studio in Milan with the architect Emilio Lancia. From the beginning of the 1920’s until 1938 he worked with Richard-Ginori Manufactory and renewed its production. In 1928 he founded the Domus magazine with Gianni Mazzocchi. In 1933 he became the artistic director of Fontana Arte which was another success after the one he obtained with Richard-Ginori. In the 1930’s he participated in the Triennale exhibitions and later he successfully managed a few of them. From 1936 to 1961 he was a professor at the Milan Polytechnic, and in 1933 was associated with Antonio Fornaroli and Eugenio Soncini, until 1945. From this partnership major projects were born, including the Montecatini Palace in Milan from 1936 to 1938, in which Ponti created the "integral design" of the building and the interiors. Other works of the period were civil architecture, including the Littoria Tower in Milan in 1933, school buildings such as the School of Mathematics at the University City Rome in 1934 and the Humanities Faculty and the Rectorate of the University of Padua in 1937. There were also residential projects such as Casa Marmont in 1934 and Milan "Domus" from 1931 to 1936. The richness of the artistic production of Cleto Munari, arises out of the discovery that every boundary is undefined, and the consequent need to create a “collection about syllables” or rather a “collection of figures” which, because of their incompleteness, luminously suggest the irrepressible quest of man’s intelligence to transfigure the world, according to his own vision. It is this a perfect complicity between the whisper of the “heart...Category
Mid-20th Century Italian Mid-Century Modern Sheffield and Silverplate
MaterialsSilver Plate
- Silver Plated Tray, Made in ItalyBy Ganci ArgenterieLocated in Milano, ITSilver plated tray with handles - Made in IItaly Fully embossed and handmade Ganci Argenterie - Hallmark 110MI - one of the oldest Italian Silversmith.Category
21st Century and Contemporary Italian Sheffield and Silverplate
MaterialsSilver Plate
- Victorian Antique Silver Plated Tray, Presentation Inscription for 1900Located in London, LondonMade circa 1900, this striking, Victorian, Antique Silver Plate tray, features a shell and scroll border and handles, and an original presen...Category
Antique 1880s Scottish Victorian Platters and Serveware
MaterialsSilver Plate
- Oval Silver Plate Gallery TrayLocated in Alessandria, PiemonteOval little footed silver plated gallery tray: a perfect serving tray, simply elegant.Category
Mid-20th Century English Other Sheffield and Silverplate
MaterialsSilver Plate
$747 Sale Price20% Off - Oval Engraved Silver Plated Belgian TrayLocated in Alessandria, PiemonteO/6951 - Simple and elegant this oval engraved silver plate tray from old Europe: Belgium. Perfect for any house: antique or modern.Category
Early 20th Century Belgian Other Sheffield and Silverplate
MaterialsSilver Plate
$615 Sale Price20% Off - Aesthetic Period Silver Plated Tray - Circa 1880 - Engraved - 27.75" wideLocated in London, LondonMade circa 1880, this stunning, Antique Silver Plated Tray, is in the Aesthetic design, with beautiful engraving to the centre. The tray mea...Category
Antique 1880s English Aesthetic Movement Sheffield and Silverplate
MaterialsSilver Plate