Antique George III Newcastle Sterling Silver Salver

A fine antique Georgian English sterling silver salver, part of our antique dining collection. This fine antique George III sterling silver salver h...

An exceptional, fine and impressive, rare pair of antique Georgian Newcastle sterling silver salvers; part of our Newcastle silverware collection. These exceptional antique George...

An exceptional, fine and impressive set of twelve antique Georgian Newcastle sterling silver Old English pattern table/serving spoons; an addition to our silver flatware collection These exceptional antique Georgian Newcastle sterling silver spoons have been crafted in the Old English pattern. The anterior surface of each serving/table spoon handle terminal incorporates the contemporary bright cut engraved crest of a double-headed eagle displayed. The reverse of each 18th century spoon...

An exceptional, fine and impressive antique George II Newcastle sterling silver sugar bowl; an addition to our diverse silver Georgian teaware collection. This exceptional antique George II Newcastle sterling silver bowl has a plain circular shape form. The surface of this Fine bowl is plain and unembellished, with a band of tooled decoration to the rim. The sterling silver sugar bowl is supported by a plain circular collet foot. This exceptional example of Georgian silverware is a desirable and rare piece. Condition This antique silver sugar bowl...

An exceptional, fine and impressive, large antique George V English sterling silver salver; an addition to our silver dining collection This exceptional antique George V sterling ...

A fine antique Georgian English sterling silver salver, part of our dining silverware collection. This fine antique George III English sterling silver salver has an oval navette s...

Hallmarked in Newcastle in 1772 by David Crawford, this handsome, George III period, Antique sterling silver tankard, has a tucked in shape, and a domed top. The tankard measures...

A George III sterling silver salver. The salver is of circular form, beaded borders, with a band of chased foliate decoration, the ...

A George III sterling silver salver. The salver is of oblong form, with a gadrooned and shell border, engraved with C-scrolls, foli...

Hallmarked in London in 1772 by Hannam & Crouch, this exceptional, George III, antique sterling silver salver, features a shaped gadroon border, an engraved crest to the centre, and ...

A Fine George III Silver Salver by W Haye London 1749 Weight approximately 775 gr.

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...