Italian Sterling Silver
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Style: Neoclassical
Place of Origin: Italian
Antique Pair of sterling silver holy water fonts
Located in Autonomous City Buenos Aires, CABA
Antique Pair of sterling silver holy water fonts
This splendid pair of embossed silver basins from the 19th century are true masterpieces of craftsmanship. Each one with a different ...
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19th Century Neoclassical Antique Italian Sterling Silver
Materials
Sterling Silver
19th Century Italian Silver Oil Lamp Depicting Mercury After Giambologna
Located in New York, NY
Rare and exceptional 19th century silver oil lamp supported by the figure of Mercury after the model by Giambologna, by the Italian silversmith, Angelo Giannotti (1824-1865) of Bolog...
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1850s Neoclassical Antique Italian Sterling Silver
Materials
Marble, Silver
20th Century Italian Sterling Silver Pair Candelabras Neoclassical Style
By Mario Poli
Located in VALENZA, IT
Pair of 5-light candelabra in 925 sterling silver in neoclassical style.
Candelabra formed by an iron eye stem and a Hellenic part in Ionic style in 925 silver.
The iron eye is a sto...
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1990s Neoclassical Italian Sterling Silver
Materials
Sterling Silver
Italian Sterling and Cobalt Murano Glass Fantasy Model of a Horse & Carriage
Located in West Palm Beach, FL
Italian Sterling and Cobalt Murano Glass Fantasy Model of a Horse & Carriage
Italy, late 20th century
A captivating Italian Sterling and Cobalt ...
Category
Late 20th Century Neoclassical Italian Sterling Silver
Materials
Sterling Silver
Italian Sterling Silver Neoclassical Style Wall Mirror
Located in West Palm Beach, FL
Italian Sterling Silver Neoclassical Style Wall Mirror
Italy, circa Later 20th Century
Hallmarked numerous times .925 in oval
A stunn...
Category
Late 20th Century Neoclassical Italian Sterling Silver
Materials
Sterling Silver
Early 19th Century Italian Neoclassical Silver Urn Vase Milan by Emanuele Caber
Located in Worpswede / Bremen, DE
A very decorative neoclassical silver urn stamped by the Italian silversmith Emanuele Caber, dating from around 1825. It has the Milan warranty stamp, and stamp of the silver finenes...
Category
Early 19th Century Neoclassical Antique Italian Sterling Silver
Materials
Silver
19th Century Italian Milanese Neoclassical Silver Oil and Vinegar Cruet Set
Located in Milan, IT
Antique Milanese silver oil cruet consisting of an oval tray supported by four cast zoomorphic paw shaped feet; the edge of the tray is a ribbon decorated by...
Category
Mid-19th Century Neoclassical Antique Italian Sterling Silver
Materials
Silver
Pair of Early 19th Century Italian Antique Silver Oil Lamps by Vincenzo Belli II
Located in North Miami, FL
A pair of early 19th century (1828 – 1859) Italian Antique silver oil lamps (Lucerne) by Vincenzo Belli II. They are in the “Retour d’Egypte St...
Category
19th Century Neoclassical Antique Italian Sterling Silver
Materials
Silver, Sterling Silver
Luigi Avolio Set of Four 800, Italian Silver and Ormolu Figural Groups
Located in Braintree, GB
Antique early 20th century set of four 800. Italian silver and ormolu figural groups.
Made in Italy, Naples, first half of 20th century.
Hallmarked with 800. Silver and 45NA maker'...
Category
Early 20th Century Neoclassical Italian Sterling Silver
Materials
Silver
Italian Silver Puerperal Cup or Small Soup Tureen, Milan Circa 1830
Located in Milano, IT
Silversmith L. B.
Small silver soup tureen or puerperal cup with plate and lid
Milan, around 1830
Height 19.5 cm (7.67 in) - diameter 21.7 cm (8.54 in)
lb 2.14 (kg 0.97)
State of conservation: slight use defects and a dent on the plate.
From about the mid-16th century, the puerperal soup tureen or puerperal cup became one of the most popular wedding gifts in central Italy. As an auspicious symbol, it replaced the birth table...
Category
1830s Neoclassical Antique Italian Sterling Silver
Materials
Sterling Silver
19th Century Italian Sterling Silver Madonna, circa 1830
Located in Milano, IT
Embossed and engraved silver plaque
La Madonna del lago (The Madonna of the Lake)
Probably Milan, post 1824
Brass frame
It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g)
State of conservation: some abrasions on the bottom. The frame is old, but not original.
The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era.
The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked.
It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version.
The painting
Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”.
The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917.
The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809.
The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman.
It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants.
In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found.
On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857).
The engraving
Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century.
In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...
Category
1820s Neoclassical Antique Italian Sterling Silver
Materials
Sterling Silver, Brass
Early 20th Century Mario Buccellati Sterling Silver Tray
By Mario Buccellati
Located in Los Angeles, CA
Early 20th century Mario Buccellati sterling silver tray. Signed and hallmarked.
121.35 oz.
Category
Early 20th Century Neoclassical Italian Sterling Silver
Materials
Sterling Silver
19th Century Italian Neoclassical Silver and Crystal Compote with Cover
By Cristoforo Corbella
Located in Milan, IT
From Milan a 19th century Italian silver and crystal compote bowl in good condition from a private collection. This antique Neoclassical covered compote bowl has a very fine hand-chased vegetal decoration and engraving, a lovely cast engraved silver 800/000 finial and shows silver-maker’s mark for Cristoforo Corbella active in the first half of 19th century in Milan, contrada degli Orefici 3194.
This antique silver compote of supreme craftsmanship stands on a three-lobed pedestal base with B L monogram engraved in the central part, features tripod legs decorated with neoclassical motifs, scrolls, flowers, rosettes supporting a circular upper ring adorned with elegant acanthus leafed piercing.
Engraved crystal cup and a cover finely engraved with geometrical and vegetal pattern, surmounted by a cast gem finial.
The following marks can be seen on the bottom of the foot and the upper edge of the compote, (the original descriptions are reported, as they appear on the documents of the State Archive of Milan):
1) “Forma eptagona. Globo col Zodiaco ed i setti (sic) Trioni” Heptagon form. Globe with the Zodiac and the seven Trioni (seven stars of the Ursa Major) Mark of the Guarantee Office in use in the Napoleonic Kingdom of Italy from 1812 for works with a title of 800 thousandths.
2) "Aratro" Plow Mark of the Guarantee Office in use in the Napoleonic Kingdom of Italy from 1812.
3) "insegna della Luna Piena...
Category
Mid-19th Century Neoclassical Antique Italian Sterling Silver
Materials
Crystal, Silver
Buccellati Sterling Silver 'Milano' Two-Tine Carving Fork
By Mario Buccellati
Located in Cincinnati, OH
Buccellati sterling silver 'Milano' carving fork. This striking sterling silver carving fork was made by Italian luxury jewelry, Buccellati. The Buccellat...
Category
1970s Neoclassical Vintage Italian Sterling Silver
Materials
Sterling Silver
Sterling Silver Lions' Head Salt
Located in New York, NY
Sterling silver lions' head salt. Neapolitan silver salt / bud vase of circular form with reed and bead rim bordering silver bowl supported on tri...
Category
Late 18th Century Neoclassical Antique Italian Sterling Silver
Materials
Sterling Silver
Ancient Neoclassic Sterling Silver Coffee Pot, Palermo, Sicily circa 1789
Located in Milano, IT
Ancient Neoclassic Sterling Silver Coffee Pot, Palermo, Sicily circa 1789
Embossed and engraved silver coffee pot
Silversmith, probably Agostino Natoli
Diego Di Maggio, Silversmith Consul in 1789 and 1796
Palermo, 1789
It measures 14.17 in (36 cm) high and weighs 2.76 lb (1.252 g)
State of conservation: few signs of use and some slight blemishes
The large silver coffee pot has a round mouthpiece with a markedly everted rim, on which hinges a domed lid with very full molded pod shapes; a closed bud surmounted by a small sphere serves as a knob. The polygonal neck descends and widens into molded elements that come together, with larger pods, at the point where it is attached to the body. The body in turn is united to a well-shaped foot, which ends in a flat base with a vertical rim.
From the body rises a spout with a circular mouth accented with a thick rim. An angled loop, made of ebonized wood, is applied to the neck by means of a double-cone element having a sphere at its center; it ends in a silver cone...
Category
1780s Neoclassical Antique Italian Sterling Silver
Materials
Sterling Silver
Sterling Silver Anthemion Salt
Located in New York, NY
Sterling silver anthemion salt. Neapolitan silver salt / bud vase of circular form with anthemion engraved rim bordering vermeil washed bowl supported on tripartite base capped by an...
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Late 18th Century Neoclassical Antique Italian Sterling Silver
Materials
Sterling Silver
Ancient Italian Neoclassic Sterling Silver Coffee Pot, Milan, circa 1850
Located in Milano, IT
Embossed and engraved sterling silver coffee pot
Tommaso Panizza (1805-1868)
Milan, circa half of the 19th century
It measures 13.97 in (cm 35.5) in height x 8.66 in (22 cm) x 4.7...
Category
1840s Neoclassical Antique Italian Sterling Silver
Materials
Sterling Silver
21st Century Italian Sterling Silver Twelve Place Cards for the Table
By Arval Argenti Valenza
Located in VALENZA, IT
12 table place card in sterling silver.
They are made in fusion and engraving finishing, as a copy of the Roman columns as can be admired in the Roman Forum in Rome.
Silver Art - A...
Category
2010s Neoclassical Italian Sterling Silver
Materials
Sterling Silver
Silver 800 and Enamel Music Box Signed Fallaci Firenze, Italy, circa 1930
Located in Buenos Aires, Buenos Aires
Silver 800 and enamel music box signed Fallaci Firenze. Italy, circa 1930.
Marked silver 800.
Machine signed "Thorens Switzerland".
Category
1930s Neoclassical Vintage Italian Sterling Silver
Materials
Silver, Enamel
Large Italian Neoclassic Sterling Silver Coffee Pot, Milan, Circa 1830
Located in Milano, IT
Embossed and engraved silver coffee pot
Antonio Garavaglia
Milan, Circa 1830
It measures 16.92 in (43 cm) in height and weighs 3.35 lb (1.520 gr)
State of conservation: very good
The large silver coffee pot has a round mouthpiece with a marked everted rim on which a pagoda lid rests; this is surmounted by a cock-shaped knob with a border decorated with small pods...
Category
1820s Neoclassical Antique Italian Sterling Silver
Materials
Sterling Silver
19th Century Italian Sterling Silver Glass and Wine Coasters, circa 1830
By Antonio Mantelli
Located in Milano, IT
Twelve silver glass coasters and four silver wine coasters.
Silversmith Antonio Mantelli
Milan, circa 1830
They measure:
Glass coasters: 0.78 in high x 3.46 in diameter (2 cm x 8.8 c...
Category
1820s Neoclassical Antique Italian Sterling Silver
Materials
Sterling Silver
Italian Silver Circular Chamberstick, 1820s
Located in Firenze, IT
SHIPPING POLICY:
No additional costs will be added to this order.
Shipping costs will be totally covered by the seller (customs duties included).
With a palmette, detachable scone ...
Category
1820s Neoclassical Antique Italian Sterling Silver
Materials
Silver
Italian Neoclassical Silver Coffee Pot
Located in New York, NY
Italian Neoclassical Silver Coffee Pot. Neapolitan caffettiera in sterling silver with wood handle of neoclassical form and decoration with parrot lid and canine spout; with Italian ...
Category
Early 19th Century Neoclassical Antique Italian Sterling Silver
Materials
Sterling Silver
Italian Neoclassical Silver Coffee Pot and Sugar Bowl
Located in New York, NY
Italian Neoclassical silver coffee pot and sugar bowl. Italian Neoclassical Silver Coffee Pot and Sugar Bowl. Neapolitan caffettiera in sterling silver with wood handle of neoclassical form and decoration with acorn lid and camel spout of oviform body supported by three female hermes...
Category
Early 19th Century Neoclassical Antique Italian Sterling Silver
Materials
Sterling Silver
Pair Italian Neoclassical Silver Salts With Hermes
Located in New York, NY
Pair Italian neoclassical silver salts with hermes. Pair of antique neoclassical sterling silver salt stands of Empire tripod form with pierced anthemion band supported by Hermès on ...
Category
Early 19th Century Neoclassical Antique Italian Sterling Silver
Materials
Crystal, Sterling Silver
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