Silver Black Enameled Box by Leo Wagner, 1921-1922

Silver enameled box by Rudolf Steiner, 1899 with a miniature painting An octagonal Austrian silver white enameled, inside gold-plated box made by Ru...

Dutch Silver box by Zaanse Zilversmederij, 1916 A Dutch silver box 835/1000 purity of silver, completely Dutch silver hallmarked. With lion, master's...

3 Dutch silver peppermint boxes 2 boxes from the 19th century, around 1860-1870 and the 3rd box was made by J. Niekerk around 1998. All are 835/1000 purity of silver ( marked w...

Italian silver box raised on 4 feet, 1970s Italian silver box in curvy octagonal shape with repousse design of flowers and scrolls The purity de...

Octagonal wedge box in 925/1000 sterling silver with black and white colors fire enameled in Art Deco style. Measures 7.8 x 7.8 x 6 cm. Weight gr. 281. Designed by Giorgio Salimbeni ...

Rosewood box decorated with a sterling silver and enamel plaque by the Italian silversmith Ottaviani, circa 1960s. Signed with the maker’s signature and “925”. Notes: Ottaviani (1945-contemporary) is a jewelry and silver firm located in the small seaside...

Octagonal table box in 925/1000 sterling silver with fire-enamelled Art Deco design. Dimensions diameter cm. 15.8 high cm . 8.2. Weight gr. 974. Designed by Giorgio Salimbeni for Cartier USA in the 1980s, inspired by objects designed by Louis Cartier around 1920 and manufactured in Florence in various specimens, also in parure with other objects and in different colors, in the headquarters by the Salimbeni firm with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at about 750°<800° C. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

An absolutely stunning enamel box, French in origin with the boars head mark for solid silver (minimum 800/1000). The goldsmith's makers mark is also present, I think GB but a little...