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Victorian Sterling Silver Gilt and Cut Crystal Claret Jug 19th Century
$2,952.10List Price
About the Item
- Dimensions:Height: 10.24 in (26 cm)Width: 7.09 in (18 cm)Depth: 5.12 in (13 cm)
- Style:Victorian (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1873
- Condition:
- Seller Location:London, GB
- Reference Number:Seller: A15901stDibs: LU950621994182
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1983
1stDibs seller since 2012
1,398 sales on 1stDibs
Associations
LAPADA - The Association of Arts & Antiques Dealers
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The Crest of Parke
The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows:
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Condition:
In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation.
Dimensions in cm:
Height 2 x Width 26.5 x Depth 26.5
Weight 0.69 kg
Dimensions in inches:
Height 1 inch x Width 10 inches x Depth 10 inches
Weight 1.5 lbs
Paul Storr
born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty.
In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell.
During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...
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