Victorian Sterling Silver Gilt and Cut Crystal Claret Jug 19th Century

This is a fine Victorian silver plated claret jug, bearing the makers' mark of the renowned silversmiths, Elkington of Birmingham and dated 1864. This claret jug has a charming ...

This is a very attractive pair of antique Victorian sterling silver dishes / coasters with hallmarks for London 1890.   They feature attractive faux-coopered decoration with a handle...

This is a large gorgeous antique Victorian sterling silver punch bowl bearing the makers mark of the renowned silversmiths Walker & Hall and hallmarks for Sheffield 1893. This exquisite punch bowl is also ideal as a champagne cooler and it has beautiful and incredibly detailed embossed half fluted decoration and is raised on a pedestal foot. This is truly a special item and it will attract the maximum amount of attention, the quality and craftsmanship are undeniable. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 15 x Width 26 x Depth 26 Weight 0.87 kg Dimensions in inches: Height 6 inches x Width 10 inches x Depth 10 inches Weight 28 troy oz Walker & Hall the business was established in Sheffield in 1845 by George Walker...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

An exceptional, fine and impressive antique Victorian glass and silver mounted claret jug; part of our silver mounted glass collection. This exceptional antique Victorian glass and sterling silver and glass claret jug has a circular rounded form onto a circular spreading foot. The upper portion of the glass body is fitted with the original hallmarked sterling silver mount embellished with an incurved shaped border. The plain domed hallmarked hinged cover is encircled with a band of applied bead decoration and surmounted with an impressive swept, knopped bead decorated finial. This Victorian claret jug is fitted with an S-scroll handle featuring a plain scrolling thumb piece. The glass body of the jug is embellished with an exceptional acid etched illustration depicting a putto entangled with flowing ribbons, playing a stylized percussion triangle whilst standing on the back of a moth style insect. In art and culture, a putto (plural: putti) is a chubby male child, usually nude and occasionally bearing wings. Condition The mount of this antique silver and glass claret jug is an exceptional gauge of silver, exceptional quality and in exceptional condition. The mount has been professionally polished and is in presentation condition. The plain glass body of the jug is in perfect condition. Full hallmarks struck to the surface of the mount and part hallmarks struck to the interior of the cover are very clear. Dimensions Length from back of handle to lip 15.3cm/6". Diameter of rim 5.4cm/2.1". Diameter of body 10.3cm/4.1". Diameter of foot 9.5cm/3.7". Height 30.8cm/12.1". Maker: Richards & Brown (Edward Charles Brown...

Hallmarked in Birmingham, in 1870 by John Gough, this striking, Victorian, antique silver claret Jug, features cut glass, and engraved decora...

These exquisite jugs have been expertly crafted in glass and are mounted with sterling silver necks, spouts, handles and lids. The broadest part of the glass base, just above the...

This fine antique Victorian sterling silver cream jug has a plain circular inverted bell shaped form, in the classic Georgian Irish style. The body of this Victorian cream jug is embellished with chased floral and scrolling foliate designs above a plain applied girdle. The lower portion of the body is embellished with further chased decoration depicting a swan and antique fish design amidst water reeds...