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Large “Dionysos” Display Dish by F. Levillain and F. Barbedienne

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  • Large Neo-Greek Vase by F. Levillain & F. Barbedienne, France, circa 1890
    By Ferdinand Barbedienne, Ferdinand Levillain
    Located in PARIS, FR
    Important neo-Greek vase in the shape of an Amphora, made in two patina bronze. The body is decorated with a rich continuous frieze in bas-relief presenting a procession of characters carrying their offerings to the temple, underlined by a decoration of theatrical masks among olive trees. The 's'-scroll handles decorated with grape vines, resting only on the shoulder of the vase, are supported by a ram’s head. Numerous palmettes and friezes adorn the whole. Resting on a molded marble circular base. Biography Ferdinand Levillain (Paris, 1837-1905) studied under the sculptor Jouffroy (1806-1882), before making his debut in 1861 at the French Artists Salon where he continued to exhibit until 1903. At the 1867 Universal Exhibition in Paris, he was praised for a Neo-Greek style bronze cup he made for the firm Blot and Drouard. He was not to become really famous, however, until 1871 thanks to his association with the great bronze founder Ferdinand Barbedienne, who began to exhibit Neo-Greek style lamps...
    Category

    Antique 1890s French Greek Revival Vases

    Materials

    Marble, Bronze

  • Fine Pair of Neo-Greek Vases by F. Levillain and F. Barbedienne, France, c. 1890
    By Ferdinand Levillain, Ferdinand Barbedienne
    Located in PARIS, FR
    Signed F. Levillain sculpteur and F. Barbedienne. Pair of Greek style vases made of two patina bronze. Each, designed in the shape of a amphora resting on four hoof feet and a quadrilobed base, is decorated in low-relief with ancient times scenes of grape harvest and picking hops. Overleaf vases, profiles of gods Ariadne and Bacchus are ornated with grape vines and cornucopias. The handles are supported by two bearded heads of gods. Here is the model titled Amphore vendangeurs, modèle n°1 (68 cm), edited by Barbedienne after 1891. We find it in the catalogs until 1911. The figure of Bacchus is a subject dear to Ferdinand Levillain, which he exhibited bronze medallions in his first exposition as well as Universal Exhibitions in which he participated. Ferdinand Levillain (Paris, 1837-1905) studied under the sculptor Jouffroy (1806-1882), before making his debut in 1861 at the French Artists Salon where he continued to exhibit until 1903. At the 1867 Universal Exhibition in Paris, he was praised for a Neo-Greek style bronze cup he made for the firm Blot and Drouard. He was not to become really famous, however, until 1871 thanks to his association with the great bronze founder Ferdinand Barbedienne, who began to exhibit Neo-Greek style lamps...
    Category

    Antique 1890s French Greek Revival Vases

    Materials

    Bronze

  • Important Pair of Neo-Greek Vases by Levillain and Barbedienne, France, C. 1878
    By Ferdinand Levillain, Ferdinand Barbedienne
    Located in PARIS, FR
    The model of these Etruscan Amphoras has been exposed at the 1878 Paris Universal Exhibition. Each with a waisted neck raised with bearded satyr ma...
    Category

    Antique 1870s French Greek Revival Vases

    Materials

    Marble, Bronze

  • Pair of Neo-Greek Amphora Vases by Barbedienne and Levillain, France, circa 1880
    By Ferdinand Barbedienne, Ferdinand Levillain
    Located in PARIS, FR
    Pair of Greek style vases made two patina bronze. Each, designed in the shape of a tripod amphora adorned with Hercules heads, is decorated in low-relief...
    Category

    Antique 1880s French Greek Revival Vases

    Materials

    Griotte Marble, Bronze

  • Pair of Neo-Greek Vase-Candlesticks Attr. to Barbedienne and Levillain, c. 1880
    By Ferdinand Barbedienne, Ferdinand Levillain
    Located in PARIS, FR
    Pair of Greek style amphora shaped candlesticks made of gilded and patinated bronze attributed to F. Levillain and F. Barbedienne. Each flanked with two handles, and decorated with horsemen in relief. Standing on three lion’s feet headed with busts of putti and raised on a red griotte marble base. Ferdinand Levillain (Paris, 1837-1905) studied under the sculptor Jouffroy (1806-1882), before making his debut in 1861 at the French Artists Salon where he continued to exhibit until 1903. At the 1867 Universal Exhibition in Paris, he was praised for a Neo-Greek style bronze cup he made for the firm Blot and Drouard. He was not to become really famous, however, until 1871 thanks to his association with the great bronze founder Ferdinand Barbedienne, who began to exhibit Neo-Greek style lamps...
    Category

    Antique 1880s French Greek Revival Table Lamps

    Materials

    Bronze

  • Elegant Pair of Bronze Torcheres by F. Barbedienne, P. Dubois and A. Falguière
    By Jean Alexandre Joseph Falguière 1, Ferdinand Barbedienne, Paul Dubois
    Located in PARIS, FR
    MODEL PRESENTED AT THE 1867 PARIS UNIVERSAL EXHIBITION Listed in the Ferdinand Barbedienne’s catalogue as the “Deux femmes debout” (Two standing ladies) Signed on each one P. Dubois – F. Barbedienne Fondeur and A. Falguière – F. Barbedienne Fondeur Rare pair of parcel-gilt and patinated bronze figures, representing two women dressed in Antique style costume with jewels, each upholding a seven lights-arm candelabra. Standing on round bronze bases and black marble socles. Paul Dubois (1827-1905) entered the Paris Beaux-Arts School in 1858. He exhibited at the 1865 Salon the Chanteur Florentin, illustrating Florentine sculpture, observed after his journey in Italy. This work, cast that time in silvered bronze, was exhibited at the 1867 Paris Universal Exhibition (now preserved at the Orsay museum). Dubois' success brought him many commissions, both private (Portrait of Duc d'Aumale) and public (Jeanne d'Arc, in Reims). Appointed curator at the Luxembourg museum in 1873, Dubois became also a member of the Institute and finally headmaster at the Beaux-Arts School in 1878. Alexandre Falguière (1831-1900) studied under Jouffroy at the Paris Ecole des Beaux-Arts, began his career at the Paris Salon in 1857 and won as soon as 1859 the “Prix de Rome”. Falguière became very quickly successful and was several times awarded medals at the Salon, such in 1868 with his marble sculpture Tarcisius the Christian Boy-Martyr, or at the 1867 Paris Universal Exhibition, where he won the first medal in his category. Thanks to that success, he was immediately commissioned by private collectors as well as by the French State, whom asked him in 1878 to realize the Triomphe de la République, placed in 1881 at the summit of the Paris Arch of Triumph...
    Category

    Antique 1860s French More Lighting

    Materials

    Bronze

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