Midcentury Art Deco Original Rebajes Native Hand-Wrought Copper Tray, Patinated

Art Deco Frankart ash tray or plant holder. Signed. Very good. Unrestored condition.

Rare and unusual, this copper ashtray celebrating the pottery industry in France is reminiscent of bronze and copper pieces designed by Paul Manship and other major sculptors in the 1920s and 1930s. This example, made of copper painted gold, depicts a nude potter at his wheel, surrounded by symbols of his industry, including kilns, planting pots and...

Spectacular Murano art glass flower bowl with copper or gold aventurine flecks. Attributed to Fratelli Toso, circa 1950s. Flower shaped hand blown glass bowl or ashtray in mint gree...

A gorgeous antique Art Deco silverplate ashtray or catchall tray In the manner of Tiffany & Co. By William Suckling England, Early 20th Century Measures: 3.5"W x 3.5"D x 1"H. Ve...

Three bottle openers, a crocodile nutcracker and a whale ashtray. Presumably all by Walter Bosse.

Set of 7 Mid-Century Modern Massive Brass Animals, Austria, 1960s. Very good condition. Goat: 7cm Flamingo: 7cm Penguin: 4cm Frog: 1,5cm Dalphin: 6cm Deer: 7cm Bear: 9cm

Vintage Marble Vintage Bowl, Italy 1950 A 1950s vintage marble bowl / ashtray. Decorative object, the item has been created by using a single piece of marble. In very good conditions...

Striking Art Deco ring era brass ring tray features a leaping gazelle poised above a base of rich green glass. With elegant lines and geometric Pattern...

This tray is done in wood, and the top is decorated with butterfly wings. It has been made in France in the 1930s.

Josef Hoffmann - Wiener Werkstatte - Art Deco Copper Hand Hammered Plates. We have 5 plates that will be sold individualy. WIENER WERKSTATTE The Wiener Werkstatte (Vienna Workshop) exerted an enormous influence on artists and designers throughout the first part of the 20th century. In 1897 a group of progressive artists and designers, led by architect Josef Hoffman and painter Koloman Moser, formed the Vienna Secession which became the Wiener Werkstätte Produktiv-Gemeinschaft von Kunsthandwerken, Wien (the Viennese Workshop and Production Cooperative of Art Works in Vienna) in 1903 when they received backing from a prominent businessman. This enabled them to equip workshops especially for working on modern design in a range of applied arts like glass, metalwork and jewellery.Online art courses The aim of the Wiener Werkstatte artists and designers was to bring good design and art into every part of people's lives. They also wanted to break with the past and bring new style to everything they produced. Emphasis was placed on the beautiful and unique as well as faultless craftsmanship. The concept was modeled after Charles Robert Ashbee's Guild of Handicraft. By 1905 it had over a hundred craftsmen, of whom 37 were masters of their trade, its strong point being handmade metalware whose reductive style proved its dependence on hand production. In addition to the workshops on its own premises, the Wiener Werkstätte had recourse to free-lance craftsmen, students at Kunstgewerbeschule of Vienna (the School of Applied Arts, where both Hoffmann and Moser taught) and contemporary industry. Furniture production, for example, though at one point part of the Werkstätte's program, was more congenially licensed to outside manufacturers such as Gebrüder Thonet and J. & J. Kohn. In 1907, the Wiener Werkstätte took over distribution for the Wiener Keramik, a ceramics workshop of kindred spirit headed by Michael Powolny and Berthold Löffler...