Soup Tureens

English creamware covered soup tureen and stand, Wedgwood, circa 1790. Impressed Wedgwood.

With domed cover with gilt lemon finial on a conforming base with two handles.

A fine antique Chinese Export porcelain plate in the Fitzhugh pattern. Decorated in underglaze blue with floral devices to the face, and a border to the rim with a repeating diamo...

Gorgeous 18th C. under-glazed soup tureen with a dragon cover handle on the cover and wild boar handles on either side of the base piece. The piece is covered with a hand painted vil...

Fine Ch'ing dynasty export Famille Rose large punch bowl, hand-painted porcelain, in very colorful everyday scenes of the upper socioeconomic level of Chinese society during the peri...

A traditional and timeless Chinese Export "Canton" pattern blue and white porcelain tureen and cover with associated large platter, late 19th ce...

The Davenport flying bird pattern has been much sought after since it was first made in England circa 1813. This lively and colorful pattern features ...

Antique Stadt Meissen Blue Onion lidded tureen in hand-painted porcelain. Early 20th century. Measures: 28 x 21.5 x 14 cm. In excellent condition. S...

Circa 1780-1800 tureen with associated stand, Blue Canton, Chinese export. Boar's head handled tureen (lacks cover). Particularly well painted. Porcelain. Old chip to stand & tureen....

In the form of a sitting duck after 18th century models and in two parts; decorated profusely in aqua, orange, and cobalt blue with gilt highlights.

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

This is a beautiful plate in the Japanese inspired Kakiemon pattern number 2117, produced by the Copeland - Late Spode factory and made of earthenware potte...