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Pate Duck Tureen Georges Dreyfus, circa 1900

$550List Price

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Portuguese Majolica Ceramic Duck Tureen Centerpiece, 1960s
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A cool majolica glazed ceramic duck figure tureen in brown and cream colors with accents of black, green and yellow. Portugal, 1960s. Manufactured by E.Subtil Portugal and marked on the base. Use it to serve duck foie gras...
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Your next dinner party just got interesting. This large ceramic duck tureen is just what your table has been asking for. Created from ceramic, this piece is shaped like a duck. The top consists of the top of the bird's body which is removable to cover the food kept inside. The base is oval and large enough to hold nearly any kind of dish your heart desires. A ceramic ladle...
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This blue and white earthenware tureen was made in Staffordshire, England, in the early 20th century. It is part of the “Avon Scenes” series by Palissy, with a design inspired by romanticized English countryside landscapes. The mark on the base reads “Avon Scenes Palissy England...
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Chinese export porcelain Imari Tureen and cover, Circa 1780 The Chinese Export porcelain tureen and cover are painted in the Imari palette. The body and cover are painted in underglaze blue and iron-red with ducks on a pond surrounded by water lilies . The unusual handles are in the form of upturned water lily pods. The finial is shaped as a closed flower with leaves and the rim of the tureen and the edge of the cover have an undulating design. Dimensions: 9 inches high x 13 1/2 inches wide x 9 3/4 inches deep. Provenance: Chinese Porcelain Company...
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Ancient Italian Maiolica Tureen Milano, 1770 circa
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Located in Milano, IT
Maiolica tureen “allo struzzo” (ostrich decoration) Milan, Felice Clerici or Pasquale Rubati factory, circa 1750-1780 Measures: 9.25 in x 12.79 in x 10.23 in (cm 23.5 x cm 32.5 x cm 26) lb 4.78 (kg 2.17) State of conservation, a felûre consolidated inside with slight edge chipping restored. In Milan in the 18th century two Majolica warehouses were opened, the first, by Felice Clerici, in 1745, the second in 1756 by Pasquale Rubati. Traditionally this type of decoration has been attributed to the Pasquale Rubati factory. In reality the motif “allo struzzo”, one of the clearest examples of how the taste for chinoiserie met with considerable success during the 18th century, had been produced, in specimens of greater or lesser quality, by both Milanese manufactories. This Maiolica tureen has a swollen and ribbed oval bowl, rests on an extroflexed foot and shows stirrup handles. The tri-color ornament, in the typical tones of Japanese "Imari" decorations, shows an idealized oriental landscape that develops around a perforated rock and has a willow tree with long lance-shaped leaves framing the long-legged bird figure. The ornamentation is enhanced by decorative elements such as butterflies, small florets and a vase with a thin flowery stem. The lid is ribbed with a pear-shaped knob on top. The decoration was called in the Milanese manufactories "allo struzzo" (ostrich decoration) and this refers to the oriental figure Xian He or the crane, symbol of longevity, here losing its symbolic value. It is hypothesized that among some 16th century engravings...
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Ancient Italian Maiolica Tureen Milano, 1770 circa
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H 9.26 in W 12.8 in D 10.24 in

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