Abstract Geometric Checkerboard Pre-Columbian Early Nazca Textile - 100-300 AD

Nazca Tunic/Poncho of stepped design and fringe in yellow ocher, burgundy and brown. Perfect condition, museum quality.

Impressive Nazca Cushma of checker works design composed of a red and yellow cross over the green background. A true collector's piece. Provenance: From the Collection of Guill...

Complete Pre-Columbian Nazca textile with stepped zig-zag design in yellow, ochre red, and brown/black shades with yellow fringes.

Complete Nazca Unku in vibrant red with blue, green, yellow and white squares forming V design around the brown neck opening. The multicolor squares in stepped design make a diamond ...

Two small fragments of pre-Columbian textiles in shadow box frames. Both have strong geometrical patterns in the style of Nazca culture, located in the southern coast of nowadays Per...

A large woven textile panel from Nazca culture on the south coast of nowadays Peru circa 600 to 800AD. The panel with short fringes on the end used to be half of a sleeveless tunic (similar to poncho) in which two similar pieces were joined together. Professionally mounted and conversed on a linen-backed wood frame and presented in an acrylic shadow box. The textile was finely woven from a camelid fiber dyed with natural pigments. The work strikes the viewer immediately with its unexpected modernity. The tri-colored geometrical blocks created a zigzagged step design that is visually minimal but bold at the same time. Its repetition evokes a lyrical visual rhythm that is unparallel in the ancient textile art and could easily mistake it as an abstract art from the 20th century. The zigzag step design was one of the unusual abstract motifs used by the pre-Columbian weavers from Nazca, who created some of the most mysterious and soul-stirring work with a minimalism aesthetic that was rarely seen in the ancient world. Considering that the artists were completely isolated without the influences of other cultures, their intrinsic creativity and artistic vision are even more impressive. Reference: James W. Reid, The Lee M...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...

An antique pre-Columbia textile fragment likely from Peru Chancay culture in Central coast that thrived in the late Intermediate period/ late Horizon, A.D. 1200-1550. Abstract geomet...