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Passing Boat and Bridge Pattern Tea Set, Circa 1725, Qing Dynasty, Yongzheng Era

About the Item

With a medallion of two boats sailing together, passing an island on which a solitary figure stands by or on a bridge, the rim with a narrow heringbone pattern, the reverse glazed cafe-au-lait Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Ca Mau ship Size : 11 cm (Diameter) Condition : Excellent (Slightly worn) * Tea as a Cultural Tapestry: The Sophistication of Yongzheng Era Tea Culture In the Yongzheng era, tea was a symbol of culture and a medium of social grace. It wasn't merely a beverage but a reflection of one's cultural depth and sophistication. People gathered over tea to discuss literature, art, and philosophy, showcasing their knowledge and cultural tastes. The era was marked by an evolution in tea culture, where brewing techniques, etiquette, and appreciation of tea's subtleties became an art form. A well-brewed cup was a testament to one's refinement. Tea tasting transcended mere drinking; it was about appreciating the aroma, color, and flavor, each sip a statement of cultural appreciation. Tea ceremonies often included exquisite porcelain, symbolizing a blend of utility and artistry. Each piece of porcelain wasn't just a vessel for tea; it was a canvas showcasing artistic mastery, a subtle nod to one's appreciation of finer things. An interesting anecdote from this era illustrates this cultural phenomenon: A famous scholar, known for his tea gatherings, once remarked that understanding a person's character was as simple as observing their choice in tea and porcelain. He believed that the tea one chose and the way they handled their cup offered insights into their personality and cultural sophistication. Thus, in the Yongzheng era, tea culture was not just a pastime but a cultural barometer, gradually permeating through various social strata. It became a subtle yet profound indicator of taste and elegance, weaving itself into the fabric of Chinese culture and leaving a lasting impact on future generations. Related works : Pieces with this decoration are in the collection of the Victoria and Albert Museum, London (inventory FE.22:1-2007).

Dimensions:

Height: 1.19 in (3 cm)Diameter: 4.34 in (11 cm)

Sold As:

Set of 2

Style:

Qing (Of the Period)

Materials and Techniques:

Ceramic,Glazed

Place of Origin:

China

Period:

1720-1729