Pre-Columbian Chimu Multicolor Banner with Geometric Designs

Pre-Columbian ornamental banner with fringes composed of warriors/divinities holding figures in their hands, surrounded by geometric frets. Two-headed birds in alternating colors decorate the top and bottom of the banner. This one-of-a-kind tapestry has preserved its vibrant original colors and fibres. Professionally cleaned. Provenance: Private European Collection Textiles from elite Chimu tombs include elaborate gauzes, embroidery, painted plain weave and tapestry, and three-dimensional fibre sculptures. Among others, shades of yellow and brown, scarlet, white, lavender-blue and olive green were the colors used. Birds and a deity wearing a crescent-like headdress have been the most popular decorative motifs. Many Chimu textiles...

Very colorful complete Nazca unku in multi-color camelid wool with lozenge diamond and zig-zag design patterns. The beautiful blue and light pink color makes this textile very unique...

A semi-ovoid rectangular panel with heavily fringed border having a very tightly woven multi-color geometric pattern consisting of two scroll devices containing multiple stylized zoo...

Magnificent Pre-Columbian multi-color Chancay textile with animal figures in cubist form. The Chancay are known more for their textiles than for their ceramics. Textiles from elite Chancay tombs include elaborate gauzes, embroidery, painted plain weave and tapestry, and three-dimensional fibre...

Two framed pre-Columbian textile fragments from Chancay culture (1000AD-1470AD) in nowadays Peru. Both panels are of a similar red background and possibly wove...

Late 19th century silk tribal Ikat weaving panel from Uzbekistan, Central Asia. Luxurious over saturated magenta, purple, gold, green and pink. Reverse s...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...

Early 20th century Ceremonial Cloth / Tampan, Paminggir, Lampung region, South Sumatra, Indonesia Commonly referred to as ship cloths, these ceremonial tampan would have been used as gifts, wrappers, cushions or pillows in any number of life-transition ceremonies, including children’s first hair cutting...