Pre-Columbian Lambayeque Textile Ceremonial Panel

Large, rectangular section of loosely woven cotton in an open, net pattern weave. Bears three complete selvedges and has 12 square sections, each containing a horned animal with curled tail surrounded by a meandering, geometric border. Excellent condition. Backed on black cotton. Kate Kemper, of London and Switzerland (1908-2004) was an early collector of Andean art, forming an important collection of ceramics and textiles after visiting Peru. Her comprehensive collection was formed in Europe and exhibited in various museums including Ancient Peruvian...

Exceptional Banner of Pageantry with Multicolor Tapisserie Squares with 8 Weave Ornaments in Relief. On the inferior part the ornaments float with the wind. (2 are missing) Very good...

Inca Complete Uncu of beautiful geometric composition with serpent form in red, purple and yellow. This beautiful poncho of a geometric composition has only some worn out sections on...

Pre-Columbian textile fragment with wave like patterns woven in bright colors. Framed in a black shadow box. It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts - so the existence of these pieces after hundreds and thousands of years is exceptional. These textiles maintain their vibrant colors, natural threads, and their unique, historical designs. Provenance: This textile comes from the collection Ulrich Hoffmann, Stuttgart and former collection of the archaeologist Ferdinand Anton...

Peruvian Pre-Colombian (Chancay) textile panel of camelid wool embroidered on cotton with three birds, each holding a lizard in its beak.

Two framed pre-Columbian textile fragments from Chancay culture (1000AD-1470AD) in nowadays Peru. Both panels are of a similar red background and possibly wove...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...

A nicely framed fragment of antique Pre-Columbian textile that depicts a stylized figure in a geometrical background. Linen backing. The original is l...