Pre-Columbian Multi-Color Diamond Shaped Nazca Unku Textile, Peru, 200-400 AD

Magnificent Ceremonial Inca Tokapu of Multicolor Geometric Diamond Shapes. Tokapu were textiles worn by the Inca elite consisting of geometric figures enclosed by rectangles or squa...

Nazca Tunic/Poncho of stepped design and fringe in yellow ocher, burgundy and brown. Perfect condition, museum quality.

A woven textile shirt of rectangular form having small rectangular panels on the front and back, all with fringed borders, and open head slit in center. Decorated with zigzag rows of...

Complete Nazca Unku in vibrant red with blue, green, yellow and white squares forming V design around the brown neck opening. The multicolor squares in stepped design make a diamond ...

An example of the continuation of the Kuba design tradition into the late 20th century. Technically superb, an amalgamation of traditional patterns interpreted by contemporary artist...

78640 Late 19th Century Antique Germantown Southwestern-Style Kilim Rug, 02'00 x 03'07. Woven in the twilight of the 19th century, this antique Germantown-style rug is a lyrical frag...

A large Nazca-Wari woven textile panel known as Llika or Awayo (shawl) from Ica Valley on the south coast of nowadays Peru. Professionally mounted and conversed on a linen-backed wood frame and presented in an acrylic shadow box. Shawls with this step design were identified as made from the period of 700 to 1100 AD during the transitional period when Nazca went under the expanded rule of the Wari empire. The textile was finely woven from a camelid fiber dyed with natural pigments. The work strikes the viewer immediately with its unexpected modernity. The simple, bold and repetitive geometry with the scintillating color blocks created a lyrical visual rhythm and could easily mistake it as an abstract art from the 20th century. The step design was one of the unusual abstract motifs used by the pre-Columbian weavers from Nazca, who created some of the most mysterious and soul-stirring work with a minimalism aesthetic that was rarely seen in any other ancient textile art. Considering that the artists were completely isolated without the influences of other cultures, their intrinsic creativity and artistic vision are even more impressive. Provenance: From the collection of Lee M...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...