Pre-Columbian Tairona Gold Labret with Obsidian, Colombia circa 800 to 1500 AD

Gold Quimbaya necklace with beads in the shape of six frogs of delicate and slender shape with a beautiful gold color and patina, very nice expression with two narrow lines on the ba...

Natural pink tourmaline necklace (167 gms) with rare gold Veraguas/Diquis supernatural drummer. Very fine example of ancient, Precolumbian goldwork form Central America, either Costa Rica or Panama. 111 grams of blush pink gold made with “lost wax” technique. The music he plays is not for entertainment, but rather to create magic, casting a spell or summoning other supernatural beings. Healing was the most important function of shamans, both the mortal and the immortal kind. Such a magical pendant...

A semi-ovoid rectangular panel with heavily fringed border having a very tightly woven multi-color geometric pattern consisting of two scroll devices containing multiple stylized zoo...

Inca Complete Uncu of beautiful geometric composition with serpent form in red, purple and yellow. This beautiful poncho of a geometric composition has only some worn out sections on...

Southern Costa Rica/Western Panama, circa 800 to 1500 AD. Gold Veraguas-Chiriqui-Diquis twin figure pendant cast by the lost-wax (cire perdu) grasping an imaginary club with their claws, with bat ears and pop out eyes and each figure ending in the shape of a jaguar tooth, symbolizing the power of the jaguar and the ability to see in the dark; The casting process did not go entirely smoothly. Part of his mold, on the side of the proper right figure (viewer's left side), did not fill with metal. The Pre-Columbian goldsmith carried out a superb repair, probably making a wax patch and pouring gate on the gold pendant, then enclosing it in a new mold and pouring in more metal. The patch is hardly visible on the outside. A modern goldsmith, who cannot do it as well, would use his gas torch to solder on a patch. The gold is of such high grade or karat, possibly unalloyed native gold...

Southern Costa Rica or Western Panama, circa 800 to 1500 AD. A very fine example of the goldwork of the Veraguas-Chiriqui-Diquis region. A pendant in Carbonera style of a supernatural being, a composite monster with human torso and feline (probably jaguar) head. The figure is set in a frame decorated with little animal heads, one at each corner. The hands have also turned into animal heads. In place of genitalia is a stylized serpent head suspended by a twisted cord that was supposed to continue across the frame. A minor casting accident prevented it form being attached to the frame. A modern goldsmith would solder in two short lengths of twisted wire, but the ancient goldsmith did not have the equipment to make such repair. A double thread ending in spirals goes across the frame behind the neck of the figure, helping to fill up the frame and avoiding a large empty space. The word "thread" reminds us that the twisted and straight cords were, in the original wax model of the pendant really extruded wax threads, turned into metal by the lost wax (cire perdue) process. The braid pattern on the frame is illusory, just two twisted threads of extruded wax laid side by side. The goldsmith made the toes out of extruded wax thread too, very decorative as well. The piece comes with a certificate of authenticity by Mr. Robert Sonin, 5 May 2006. ref. photo roll 3301. A world renowned expert on Pre-Columbian Artifacts...

An Inca Peru pre-hispanic black ware huaco vessel, from Lambayeque. Beautiful piece, created under the Inca culture between the 750 / 1375 AD at the Sican...

Rare pre Hispanic Moche culture, pre-Inca earthenware vessel. A beautiful interesting piece, created in the southern Peru region around the 100-700 AD by the Moche culture. This rare early period...

Pre Hispanic earth ware vessel from the pre-Inca Chimu culture. Beautiful ancient vessel, created in northern coast of Peru around the 900 / 1470 AD. by the Chimu culture. This is...

A pre-Inca Chimu culture, pre Columbian vase in earth ware. This beautiful little vessel vase, was created in the northern Peruvian region by the Chimu culture between the 900 / 1...

Peruvian Pre-Colombian (Chancay) textile panel of camelid wool embroidered on cotton with three birds, each holding a lizard in its beak.

This pre-columbian moche erotic vessel depicts two figures engaged in a sexual act, specifically the missionary position. It is a significant artifact showcasing the cultural and art...