Vivid Chimu Pre-Columbian Textile, Peru, circa 1100-1400 AD, Ex Ferdinand Anton

Earth tones adorn this striped pattern pre-Columbian textile. It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts...

Earth tones pre-Columbian textile fragment with abstract embroidered figures. This piece is framed in a black shadowbox. It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts -- so the existence of these pieces after hundreds and thousands of years is exceptional. These textiles maintain their vibrant colors, natural threads, and their unique, historical designs. Provenance: This textile comes from the collection Ulrich Hoffmann, Stuttgart and former collection of the archaeologist Ferdinand Anton...

Pre-Columbian textile fragment with wave like patterns woven in bright colors. Framed in a black shadow box. It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts - so the existence of these pieces after hundreds and thousands of years is exceptional. These textiles maintain their vibrant colors, natural threads, and their unique, historical designs. Provenance: This textile comes from the collection Ulrich Hoffmann, Stuttgart and former collection of the archaeologist Ferdinand Anton...

Extremely detailed yellow embroidered Pre-Columbian textile fragment with hints of red from the Chancay culture in Peru. This piece is framed in a black shadowbox. It is a wonder to behold antiquities such as a Pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts -- so the existence of these pieces after hundreds and thousands of years is exceptional. These textiles maintain their vibrant colors, natural threads, and their unique, historical designs. Provenance: This textile comes from the collection Ulrich Hoffmann, Stuttgart and former collection of the archaeologist Ferdinand Anton...

Two pre-Columbian textile fragments presented in wood frames. Handwoven in colored yarn, possibly camelid fibers, these pieces were from Inca period circa 15-16th century. One panel is a classic Inca weave that was likely part of a mantle or cape. It has a multi-panel design with eight-point stars alternating with stylized animal and homomorphic figures, steps-design and abstract scrolling patterns. The second one features a multiple stripe design also with eight-point star and a mysterious figure sandwiched between stripes of geometrical patterns and plain borders. Presenting in a thin gilt wood and a carved dark wood frame...

A Proto-Nazca textile fragment from Southern Peru circa 100BC-200AD. The linked munecas ("dolls" in Spanish) figures were woven with fibers likely from l...

Two small fragments of pre-Columbian textiles in shadow box frames. Both have strong geometrical patterns in the style of Nazca culture, located in the southern coast of nowadays Per...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...