Mexican Carnival Art

Vintage popeye figure. Hand-carved wood with amazing alligatored paint surface complete with anchor forearm tattoos. Created from three pieces of...

A quite wonderful Mexican Day of the Dead (Dia De Los Muertos festival held throughout Mexico) La Catrina symbolic skeleton figure. La Catrina is the festival’s most recognizable image/figure. She is the model of a high-society woman who has met Death, her maker. She represents something between the fear induced by her skeletal form and the revelry exhibited by the comical way she is typically portrayed, making her a perfect symbol of the Mexican holiday. She often appears in paintings, window displays, and costumes all around Mexico during the Day of the Dead festivities. La Catrina was originally conceived in the early 1900s by newspaper illustrator and printmaker José Guadalupe Posada...

The young dancers wear an armor of threads over their bodies, showing off an ancient indigenous art form. Colorful thread combinations characterize the huipil dress, a rectangle of cloth handwoven on a backstrap loom that dates back thousands of years in used in Zapotec culture. Through symbols in their dresses, Zapotec women wear their identity, history, culture, power, social and marital status, religion, personality, and power. In this folkloric dance, “Flor de Piña” (Pineapple Flower), innocence surrounds young girls as they dance and hold pineapples on their shoulders as an offering. Their long braids represent purity and their bare feet symbolize their connection to the Earth. This folkloric dance is part of the “Guelaguetza” (name in the indigenous Zapotec language) Festival Celebration. Since pre-hispanic times, the indigenous people of Oaxaca have honored the goddess of maize with this festival, performing and offering gifts to ensure a good harvest. Husband and wife, master woodcarver Manuel Cruz and wood painter...

This vintage hand carved and hand painted musical clock is unsigned, but presumed to have been made in or near Austria in circa 1950 in a Folk Art style. The carving depicts a male figure leaning against a post mounted Black Forest styled clock. The carving is quite detailed and well executed on all sides and has been hand painted in a realistic style. Both the clock and the music box are currently not working as both have been over-wound and would require servicing. The head of the carving should turn slightly left to right while the music box is playing, but in its current state it is unknown whether the mechanism functions and/or what tune the music box may play. In addition, there is currently no key for the clock, but these normally use a standard small music box...

Early 20th century fairground figure In the form of Benito Mussolini this early 20th century hand carved French fairground knockdown figure is in or...

There is a lot going on in this equestrian themed, bright and colorful circus poster portraying famous early 20th century circus performer "Miss Helen Girard". She is in a horse drawn cart in one image, while two men ride horses in two other images, and Helen Girard in full portrait is featured on the left. Her claim to fame is stated at the bottom "Empress of the Equestrian World" and "Side Saddle Queen". This is a reissued poster by Ringling Brothers from 1971 of one of their original, very early, 1903 promotional circus posters. To commemorate their 100th anniversary, in 1971, Ringling Brothers and Barnum and Bailey, produced reissues of some of their select and most famous authentic posters...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here, a beautifully rusted tobacco box, a steel egg...

Early 20th century circus balancing balls. We share what we love, and we love these rare early 20th century hand crafted wood and glass mirror English circus balancing balls. Each section is hand crafted using pins...

Jim Rose Standing found industrial objects 41h x 10w x 10d in 104.14h x 25.40w x 25.40d cm JR0355 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

This item is a lot smaller than it looks in the pictures. The handlebars are less that 2 foot tall. Its sized for a small child but has the proportions of a full size motorcycle. Tha...

Vintage half-scale carved wood carousel figure by Robert Demechko (1938-1923). Called "Leo" a carved and bleached or limed wood figure of a standing male lion with glass eyes and dec...

Early 20th century fairground figure An early 20th century hand carved French fairground knockdown figure in the form of Pierre Jean Marie Laval , i...