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Bamana Mask "Ntomo", Mali, Africa, circa 18th-19th Century

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  • Very Important “Nwantantay” African Dance Mask
    Located in San Pedro Garza Garcia, Nuevo Leon
    Very important “Nwantamtay” dance African mask, consisting of three sections: The upper in plain rectangular shape surmounted by a crescent shape moon, the middle with beautiful geometric triangles in black bitumen and white kaolin, surrounding a red cruciform in the centre of remarkable contrasting colors, and the lower part or face inscribed in a circular space that inspired numbered great artists like Joan Miro, Picasso and Henry Moore of a very strongly solar symbolism, with a projecting protuberance emanating from the forehead like a sculpted bird beak, that descents toward the mouth. Concentric eyes harmonize with the circular mouth, both with of elegant proportions. The whole mask exudes a supreme harmony and perfect balance rarely seen in this pieces. The back-side presents nice ware that attested the ancient origin and traces of animistic ceremonies as the use of animal blood residues. The painting of brown bitumen or cola, the natural colorants in red and ocher tones and the white kaolin are original and do not show any repainted or restored areas, giving a freshness rarely seen in old pieces. This exceptional mask Bwa, of the Hound`e Region in Burkina-Fasso, was used it the transit ceremonies and funerals manifesting the presence of “Do”, name given to their God sons, protectors and powerful spirits. The round face also represents an owl, the curving beak of the bird plants a seed into the sun, like a female sexual vulva being fecundated by the male organ; the eternal symbol of Ying and Yang, masculine and feminine, and the quest of life and death. This mask of Primitive facture can be compared to the one in the celebrated Verite Collection (this one being larger) sold in Paris at the Hotel Drouot, Saturday June 17, Lot 59, for 80,000 Euros and remarkably stands out from the Pierre and Tannia Matisse sold in Sotheby’s, New York in May 13, 2011. Another similar piece was published in: “Arman et l’art africain...
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    Early 20th Century Burkinabe Primitive Masks

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  • Nocturnal Bird Mask, Nigeria, Africa, circa 1950
    Located in San Pedro Garza Garcia, Nuevo Leon
    Very beautiful mask with large pronounced eyes with the circular cavity shape. The mask depicts a nocturnal bird that can see in the darkness and manifest the presence of divinities ...
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    Mid-20th Century Nigerian Tribal Masks

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    Wood

  • Moche Copper Bronze Mask
    Located in San Pedro Garza Garcia, Nuevo Leon
    A large coper mask of a dignitary with almond shaped, inset shell eyes with pupils and a wide brim type crown. Attached at the brow line, a row of danglers is suspended, aligning the...
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    Antique 15th Century and Earlier Peruvian Pre-Columbian Antiquities

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    Copper

  • Pre-Columbian Chimu Gold Mask With Scar
    Located in San Pedro Garza Garcia, Nuevo Leon
    A large sheet gold mask depicting a stylized human face having an individually fashioned and applied nose. Large low relief repousse eyes and rectangular mou...
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    Antique 15th Century and Earlier Peruvian Pre-Columbian Antiquities

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    Gold

  • Egyptian Mummy Mask, Late Period, ca. 700-30 B.C.
    Located in San Pedro Garza Garcia, Nuevo Leon
    Carved hardwood mummy mask having a pink-brown painted ground, painted black eyes and brows. Wearing a black headband. Eyes and brows are restored. Scattere...
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    Antique 15th Century and Earlier Egyptian Masks

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    Hardwood

  • Pre-Columbian Funerary Gold Mask with Royal Turquoise Beads in its Eyes
    Located in San Pedro Garza Garcia, Nuevo Leon
    A high karat heavy sheet gold human face mask with large almond-shaped eyes and recessed pierced pupils. Multiple small perforations along the upper and lower edges for attachment. L...
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    Antique 15th Century and Earlier Ecuadorean Pre-Columbian Antiquities

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    Gold

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  • Yoruba Egungun Headdress Mask
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  • Mende Women's Helmet Mask
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  • Angola Chokwe Mask Revisited by Bomber Bax
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    Beautiful classic Chokwe mask genre that honours female founding ancestors. Such representations are particularly significant as the Chokwe trace the descent through the lines of their mothers. This is thought to be a dance mask with a net and wood hairstyle, from the Batshokwe people skilled in the art of carving and of very ancient origin belonging to the culture of the divine monarchy. The Batshokwe sculptors were the most famous in the region, masters in geometric decorations such as the depiction of scarifications and tooth deformations, the surfaces of their works were carefully smoothed and polished. On the forehead of the mask, the classic chinge-lyengelye scarification is clearly visible, commonly interpreted as a variant of the Portuguese cross...
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  • Willi Huggler Brutalist Style Carved Wood Mask
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