18th Century Handmade Wood Saddle Holder

Danish 18th Century brass and wood nutcracker.

A terrific 18th century Arte Populaire Brusque from the Ardeche region of France. A vessel used for preparing chestnuts.

18th Century Swedish wooden bowl with nice patina from Northern Sweden. You can see the use of time. The bowl has ownershipmarking below. Drycra...

A very charming 18th century agricultural fragment in wood and iron from the Southwest of France. Wonderful as a tabletop or countertop small pedestal to display a sculpture.

A rare find this 18th century Spanish altar front, original gilt on chestnut, hand painted, highly decorative wall art, different, genuine, love t...

The backplate is cast and featuring a deer in the center surrounded by open scrollwork. The side panels fitted with two servant lights, fronted by a row of eight oil fonts. Scholars theorize that these Polish Chanukah lamps that bear two servant lights (as opposed to the singular servant light normally found on a Hanukkah Lamp...

18th century European carved pine trunk Brilliant antique trunk / blanket chest from Europe. This can also be used as a toy chest, games chest, linen chest, etc. The chest meas...

An exceptional heavily patinated hewn beech coffer from Transylvania. Hand carved klan markings to front. - We offer free shipping to the USA/Canada through Fedex with this item.

Pewter passover tray, Germany, 18th century. The outer rim has wriggle- work engraving of the order of the Seder service, along with a pair of birds fl...

Cast brass Hanukkah Lamp, Galicia, 18th century. The backplate is cast and pierced featuring dense scrollwork. The side panels fitted with two servant lights, fronted by a row of eight oil fonts. Scholars theorize that these Polish Chanukah Lamps that bear two servant lights (as opposed to the singular servant light normally found on a Chanukah Lamp), served a purpose, having been used on one of the days that Chanukah fell on the Sabbath, as Sabbath Candlesticks. This lamp was made by the technique known as "sand casting". This process begins with a wooden mold that was carved out to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. The mold is pressed into fine sand mixed with clay, then removed, and molten brass poured into the impression. When a mold wears out, a casting from that mold is often used as the mold for the next generation. Those later lamps...