Authentic Native American Beaded Sioux Moccasins

Sioux ceremonial moccasins with dragonflies. Fully beaded, including soles. Period: circa 1880. Origin: Sioux, Plains Size: 9 3/4" x 3 3/4". Family Owned & Operated Cisco’s Galle...

Native American Sioux Indian fully beaded hide moccasins. Sinew sewn and beaded using colors of medium blue, red white heart, greasy yellow, cobalt, white and brass. Forked tongues a...

Sioux fully beaded moccasins. Red, yellow and blue on white background. Soft soled brain tanned hide. PERIOD: Late 19th Century ORIGIN: Great Plains ...

Sioux fully beaded moccasins. Red, white and blue with geometric stacked colors. Hard soles, cotton cuff edging. Period: Late 19th Century Origin: Gr...

This pair of 19th century antique moccasins date to circa 1880 and are constructed of native tanned hide and sewn with glass trade beads in colors of...

Very rare and unusual piece, a sterling silver "note holder" fronted by an Indian Chief on the front in high relief. A bale on top provides for a necklace and hanging as a decorative piece of jewelry. Other decoration on the front includes a tomahawk and a peace pipe criss-crossed beneath the Indian. The back is plain with a decorative "repousse" floral border, and "sterling" clearly marked in the lower left (see image). It is 2 7/8" high  x 2" wide resembling and in the style of a match safe; probably manufactured by Unger Bros. of Newark, New Jersey, circa 1880, but difficult to observe all of the surfaces because of the frontal "notes" in permanent place. A note holder would have been used to write down reminders and/or notations by the user; the surfaces appear to be a celluloid type material. Condition is excellent with six notes intact; a very slight "crease" to the back side; hardly noticeable (see image). Appropriate Americana for the discerning collector with a Western Native American...

10 x originally designed American Indian Territory Handcraft, limited edition Collection of 10 important, detailed handcrafted Indian relics, artifacts. 1 x crazy horse, limited edition of 100, showcase 107cm x 35.5cm x 10.5cm 2 x Sioux war paint...

Antique Sioux (Native American/Plains Indian) Parfleche in a box form constructed of rawhide and intricately painted in an abstract design with hourglass and geometric motifs with natural pigments and red trade cloth. At the time this was created, the Sioux Indians were nomadic and are associated with vast areas of the Great Plains of the United States including present-day North and South Dakota, Minnesota, Nebraska and Montana. Authenticity is guaranteed. Box is in very good condition - please contact us for a detailed condition report. Parfleches are rawhide containers which were fundamental to the Plains way of life. Functioning essentially as protective travelling suitcases, they enabled the nomadic tribes to effectively pursue buffalo herds and migrate between seasonal camps. So critical were they to a nomadic existence that over 40 tribes are known to have historically produced parfleches. Collectively, these tribes inhabited an area which encompassed the entirety of the Plains, as well as the parts of the Southwest, the Transmontane and Western Plateau regions. Parfleches were, out of necessity, robust and versatile objects. They were designed to carry and protect within them anything from medicinal bundles to seasonal clothing or food. In fact, it was because of the containers’ robusticity and variety that parfleches earned their name in the Anglo world. Derived from parer (to parry or turn aside) and fleche (arrow), the word parfleche was coined by 17th century French Canadian voyageurs and used to describe indigenous objects made from rawhide. Despite their common utilitarian function, parfleches served as one of the major mediums through which Plains Indian tribes could develop their long-standing tradition of painting. In fact, it is in large part due to the parfleche that tribal style emerged. Even though parfleche painting developed simultaneously with beading and weaving, painting as an artistic tradition held particular importance in tribal culture. Believed to have evolved from tattooing, it had always been used as a conduit through which tribal and individual identity could be expressed. As such, many tribeswomen were deeply committed, some even religiously, to decorating their parfleche either with incised or painted motifs that were significant to them and/or the tribe. For some tribes, such as the Cheyenne, the decorative processes which surrounded parfleche production were sacred. For others, it seems that their parfleche designs shared an interesting artistic dialogue with their beadwork, indicating a more casual exchange of design motifs. This particular relationship can be seen in Crow parfleche...