Quilled Sioux Native Authentic Child's Dress

Sioux child's moccasins. 5 1/2" brain tanned elk. Classic Sioux buffalo hoof design with yellow crosses with red faceted beads and commercial tanned elk hide. Period: circa 1940. Or...

19th Century Native American Sioux quilled and file-burnt stem with highly polished T bowl. Period: 19th century Origin: Sioux Size: 8" x 4 1/2", 36" ...

Stunning Sioux moccasins, beaded, primarily in blue and white, with flag motif and horse hair tuffs on tabs. Period: circa 1880 Origin: Sioux, Plains...

Sioux Ceremonial moccasins, with fully beaded soles. Period: circa 1880 Origin: Sioux, Plains Size: 10 1/4" x 4". Family Owned & Operated Cisco’s Gallery deals in the rare, excep...

Authentic and genuine 19th Century Lakota Sioux fully beaded child's bonnet. Sinew sewn with cotton calico (flour sack) lining. Made for own use. Very few made, and fewer survived. B...

Sioux hair drop with brass trade beads, blue beaded background having red and yellow geometric designs. White horsehair drop dyed blue. Period: Last quarter of the 19th century Orig...

Native American Indian doll with traditional Lakota Sioux Cherokee wedding dress with bead-work, one of a kind This is an authentic Native American, Am...

Sioux child's dress with matching leggings. Created by hand with native tanned hide and beaded with glass trade beads in blue, white, red, pink and green. Pictorial design elements i...

Constructed of native tanned hide with trade beads and horse hair, this doll is wearing a traditional period dress and moccasins. A nomadic tribe, the Sioux territory included parts...

10 x originally designed American Indian Territory Handcraft, limited edition Collection of 10 important, detailed handcrafted Indian relics, artifacts. 1 x crazy horse, limited edition of 100, showcase 107cm x 35.5cm x 10.5cm 2 x Sioux war paint...

Very rare and unusual piece, a sterling silver "note holder" fronted by an Indian Chief on the front in high relief. A bale on top provides for a necklace and hanging as a decorative...

Antique Sioux (Native American/Plains Indian) Parfleche in a box form constructed of rawhide and intricately painted in an abstract design with hourglass and geometric motifs with natural pigments and red trade cloth. At the time this was created, the Sioux Indians were nomadic and are associated with vast areas of the Great Plains of the United States including present-day North and South Dakota, Minnesota, Nebraska and Montana. Authenticity is guaranteed. Box is in very good condition - please contact us for a detailed condition report. Parfleches are rawhide containers which were fundamental to the Plains way of life. Functioning essentially as protective travelling suitcases, they enabled the nomadic tribes to effectively pursue buffalo herds and migrate between seasonal camps. So critical were they to a nomadic existence that over 40 tribes are known to have historically produced parfleches. Collectively, these tribes inhabited an area which encompassed the entirety of the Plains, as well as the parts of the Southwest, the Transmontane and Western Plateau regions. Parfleches were, out of necessity, robust and versatile objects. They were designed to carry and protect within them anything from medicinal bundles to seasonal clothing or food. In fact, it was because of the containers’ robusticity and variety that parfleches earned their name in the Anglo world. Derived from parer (to parry or turn aside) and fleche (arrow), the word parfleche was coined by 17th century French Canadian voyageurs and used to describe indigenous objects made from rawhide. Despite their common utilitarian function, parfleches served as one of the major mediums through which Plains Indian tribes could develop their long-standing tradition of painting. In fact, it is in large part due to the parfleche that tribal style emerged. Even though parfleche painting developed simultaneously with beading and weaving, painting as an artistic tradition held particular importance in tribal culture. Believed to have evolved from tattooing, it had always been used as a conduit through which tribal and individual identity could be expressed. As such, many tribeswomen were deeply committed, some even religiously, to decorating their parfleche either with incised or painted motifs that were significant to them and/or the tribe. For some tribes, such as the Cheyenne, the decorative processes which surrounded parfleche production were sacred. For others, it seems that their parfleche designs shared an interesting artistic dialogue with their beadwork, indicating a more casual exchange of design motifs. This particular relationship can be seen in Crow parfleche...