"Spiral Clouds, Over Tower with Trees" Pigment on Board by Kevin Paulsen

"Justice" by artist Kevin Paulsen. Pigment on plaster on polystyrene, mounted in shadow box frame.

"Monkeys on the Hudson" by Kevin Paulsen. Forest scene with playful monkeys, created over a three year period with pigment on plaster on polystyrene, in shadowbox frame.

"Cypress on Fire" by Kevin Paulsen in collaboration with David Wiggins. Plater on fragmented polystyrene, mounted in a shadowbox frame.

"Untitled Landscape" by Kevin Paulsen. Created over a three-year timespan, this "fragmented" woodland painting features pigment applied on plaster over polystyrene, mounted in a shad...

"Final Curtain" by artist Kevin Paulsen. Created with a combination of pigment on horsehair plaster applied on polystyrene, framed in in a shadow box, giving the appearance of a "fr...

"The Aftermath I" by artist Kevin Paulsen. Paint and powdered pigment on blue velvet, mounted on board.

Large framed mural fragment by Kevin Paulsen and David Wiggins, from the mid 1990s. Thinned oil on plaster layered over polystyrene, artist made black wo...

Rare Danish painting by Julius Paulsen (1860 - 1940). Julius Paulsen is represented in several museums and fine private collections. He studied in De...

Italian Dolomites - Torri del Vajolet 65 cm x 85 cm (without frame) - oil on board - 1965 25,6 in x 33,5 in (without frame) The Vajolet Towers - Dolomites Signed and dated lower right Walter Wellenstein (1898 Dortmund - Berlin 1970) He studied with Emil Orlik at the Berlin art school from 1918 to 1924. His early works are characterized by travel memories and views of the city. In the 1930s, he developed a passion for the representation of masks and artistic and bizarre characters. Many of his works show features of the grotesque - the artistic medium of Wellenstein to overcome the instability of time. In the 1950s Wellenstein was inspired by theatrical rehearsals and created theatrical scenarios in paintings with emphasized contours. These paintings often show influences from works by Karl Hofer...

a California School oil on board painting of a treed landscape in green and gold tones in an impressionistic manner, signed illegibly, USA circa 1930's label for a Los Angeles fram...

Swedish artist. Oil on board. Three trees and persons. Modernist landscape in strong colors, 1960s. The board measures: 44.5 x 36 cm. The frame measure...

Mid 20th century oil on board landscape painting by William Thon, titled "Olive Trees," No. 850. Shows an abstract expressionist forestscape with black trunked trees with green and white leaves over a golden forest floor. Signed lower right corner. Rustic wood frame with red stained recessed bevel and white linen mat. Labels on reverse from Midtown Galleries (New York, New York), Frost Gully Gallery (Portland, Maine). Exhibited at The Ogunquit Museum of American Art (Ogunquit, Maine) - "Creative Lives" July 1 - September 30, 1996. "William Thon (1906-2000) was an American artist noted for highly abstracted landscape paintings. He debuted as a professional artist in 1939 at the Corcoran Gallery Biennial* exhibition. He was born in New York City in 1906, and spent his childhood summers camping on Staten Island. He also developed a great love of travel, and in 1933 made an eight-month voyage to the Cocos Islands in the Pacific. He joined the Navy during World War II, and shortly after the war won the Prix de Rome*, a fellowship in Rome to the American Academy,* which he later served as trustee. Recognition for him continued with his participation in the 1942 "Artists for Victory" exhibit at the Metropolitan Museum of Art*, and in 1944, Midtown Galleries in New York held his first one-person show. This gallery then continued to be his representative throughout his career. He had subsequent solo exhibitions at Smith College Art Museum, Fort Wayne Museum and Farnsworth Museum in Rockland, Maine. He earned an honorary Doctor of Arts from Bates College in Lewiston, Maine in 1957, and was a member of The American Academy* and Institute of Arts and Letters, as well as the National Academy of Design*. In 1947, the year-long study at the American Academy proved highly influential on his career, especially with him beginning to paint as much with watercolor as oil. Returning to America, he submitted a watercolor into the 1949 exhibition of the National Academy of Design, and that year was voted into Academy membership. From thereon, he exhibited frequently at the Academy and won prizes including the Benjamin Altman Prize* in 1951, 1954, 1961, 1967 and 1969. In 1951, Thon received a grant from the American Academy of Arts and Letters. He also taught painting at Ohio University, and painted aspects of the Apollo Space...