Gilt Wood Frame George Braque Lithograph" Nature Morte a la Serviette"

Immerse yourself in the timeless beauty of the Gilt Wood Framed Still Life Flowers & Fruit Oil on Canvas Painting by Christo Charpides (Gre...

Immerse yourself in the artistic brilliance of this Gilt Wood Framed Original Lithograph by Pablo Picasso. Crafted with meticulous care, this piece presents an original drawing print...

19th Century gilt wood framed oil on canvas painting featuring tableware and fruits . The painting is in good antique condition . Minor wear consistent with age / use . Artist signat...

Late 20th century giltwood framed oil on canvas still life painting. The oil painting is in good condition. Artist signature left hand corner. The frame is about 17 inches x 15 inche...

Original 'Nature morte au pot de fleurs' color lithograph by Charles Dufresne. Lithograph printed from an original painting made by the author in France, circa 1928. Published ...

Mid-Century Georges Braque 'Le Compote' lithograph is an abstract still life depiction of a pear in compote. Braque is known as one of the pioneers of cubism along with Pablo Picasso. This fine example shows his versatility and elegance with an eye toward subdued color, graphic composition and bold shapes...

Original 'Nature morte' color lithograph by Charles Dufresne. Lithograph printed from an original painting made by the author in France, circa 1932-1933. Published by Mourlot i...

Original 'Nature Morte' color lithograph by André Derain. Lithograph printed from an original painting made by the author in France, circa 1948. Published by Mourlot in Collection Pierre Levy in 1970, Paris. Framed and signed in the stone. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. About the Artist: André Derain (10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and later that year displayed their highly innovative paintings at the Salon d'Automne. The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves, or "the wild beasts", marking the start of the Fauvist movement. In March 1906, the noted art dealer Ambroise Vollard sent Derain to London to produce a series of paintings with the city as subject. In 30 paintings (29 of which are still extant), Derain presented a portrait of London that was radically different from anything done by previous painters of the city such as Whistler or Monet. With bold colors and compositions, Derain painted multiple pictures of the Thames and Tower Bridge. These London paintings remain among his most popular work. Art critic T. G Rosenthal: "Not since Monet has anyone made London seem so fresh and yet remain quintessentially English. Some of his views of the Thames use the Pointillist technique of multiple dots, although by this time, because the dots have become much larger, it is rather more simply the separation of colours called Divisionism and it is peculiarly effective in conveying the fragmentation of colour in moving water in sunlight." He experimented with stone sculpture and moved to Montmartre to be near his friend Pablo Picasso and other noted artists. Fernande Olivier...