Late 20th Century Cast Resin & Fibreglass "Indian Head" Nickle Wall Sculpture

A Late 20th century American studio craft carved wood entry hall bench carved in oak in a very biomorphic and organic form. The bench was made in the ...

A Late 20th century American studio craft carved wood and brass menorah by, Charles B. Cobb decorated with nine brass sleeves set into the carved organic wood formed menorah. The men...

An important & monumental early 20th century French Art Nouveau gilt and cast bronze "Surtot De Table" (Centerpiece for a table) titled "La Mer' by, Francios Raoul Larche depicting mermaids emerging from within the sea amongst seaweed and water holding aloft three oyster shells with one figure emerging towards the top . The sculpture is signed with signature and foundry marks and is further a period sand casting finished in a gilt patina. circa 1900 Signature: The Sculpture is signed & impressed "Raoul Larche", further impressed foundry mark 'Siot Decauville Paris Fondeur" and numbered Measurements: Centerpiece: height: 29.5 in. x width: 32 in. x depth: 13 in.. Literature Philippe Dahhan, Étains 1900, 200 Sculpteurs de la Belle Époque, Paris, 2000, p. 229 Biography: The son of an ornamental sculptor, François-Raoul Larche was a well-known Art Nouveau sculptor...

An important pair of early 20th century French Art Nouveau gilt and cast bronze sculptures titled "La Mer' by, Francios Raoul Larche depicting mermaids emerging from the sea each embracing a conch shell Each are period sand castings finished in a ilt bronze patina. circa 1900 Signatures: Both Sculptures are each signed & impressed "Raoul Larche", each with impressed foundry marks 'Siot Decauville Paris Fondeur" one side piece is impressed "B747"; the second side piece is impressed "B748" Measurements: Side Piece: height: 16..25 in. x width: 8.5 in. Side Piece: height: 16.25 in. x width: 8.5 in. Literature Philippe Dahhan, Étains 1900, 200 Sculpteurs de la Belle Époque, Paris, 2000, p. 229 Notes: Similar example sold at Sotheby's New York, The John and Katsy Mecom Collection, Part II, 26 November 1993, lot 28 Biography: The son of an ornamental sculptor, François-Raoul Larche was a well-known Art Nouveau sculptor...

An early 20th century French Art Nouveau carved wood"Ombelle" wall mirror by, Emile Gallé with carved "ombelle" decoration at the top arch and further carved frame with beveled glass...

Early 20th century French Art Nouveau carved wood "Les Blés" (The Wheat) pattern wall shelf by, Louis Majorelle decorated with two shallow display shelves further carved with "Les Blés" (Wheat) decoration on each bend. The shelf is ready to hang. circa 1905. Measurements: height: 20 in. x width: 28.75 in. x depth: 6.25 in. Notes: Objects Diplayed Are Not Included Biography: Louis Majorelle, (Toul, 26 September 1859 – Nancy, 15 January 1926) born as Louis-Jean-Sylvestre Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles, which he exhibited in 1894 at the Exposition d'Art Décoratif et Industriel [Exposition of Decorative and Industrial Art] in Nancy, but the influence of the glass- and furniture-maker Emile Gallé (1846 – 1904) inspired him to take his production in new directions. Beginning in the 1890s, Majorelle's furniture, embellished with inlays, took their inspiration from nature: stems of plants, waterlily leaves, tendrils, dragonflies. Before 1900 he added a metalworking atelier to the workshops, to produce drawerpulls and mounts in keeping with the fluid lines of his woodwork. His studio also was responsible for the ironwork of balconies, staircase railings...

Late 19th to early 20th century cast mixed white and brass metal bracelet from the East Africa, possibly connected to the Arab states. Beautiful cast geometric design around outside ...

ATELIER NOËL GUAY - Vintage pine sculpture of a pig - featuring a well modelled form with an intricately chiseled coat, large drooping ears and closely cropped tail - unvarnished fin...

A very handsome early 20th century French Leather Horse Sculpture. Beautifully poised in a rearing position. Wonderful patina. A terrifi...

Early 20th Century Characterfully stout, anatomically enigmatic Rabbit. Oak. European, Circa 1920.

20th century South Indian carved and painted peacock statue. A Folk Art sculpture hand carved on a plinth base. Features bright colors of yellow, green,...

A decorative 20th century faux painted buffalo skull sculpture, raised on a rectangular plinth stand. An extremely well-executed example with detailed painting across the surface to help create the illusion of a real skull...