Traditional Hardwood Crocodile Carving, Nigeria, cira 1970s

Gelede festivals honor the creative and dangerous power of women elders, female ancestors and goddesses known as "our mothers". The Gelede headdress often consists of two parts, a lo...

Gelede festivals honor the creative and dangerous power of women elders, female ancestors and goddesses known as "our mothers". The Gelede headdress often consists of two parts, a lo...

Gelede festivals honor the creative and dangerous power of women elders, female ancestors and goddesses known as "our mothers". The Gelede headdress often consists of two parts, a lo...

Manillas are horse-shoe shaped, made of an open circle of bronze, brass, or copper with enlarged finial terminations. They were used as a currency in West African countries from the ...

A hand-carved wooden "Nupe stool", made by the Nupe People, a tribe who lives by the Niger River in Nigeria. This kind of 8-legged stool was used during important meetings or market...

Carved wooden sculpture depicting a woman sacrificing holding an offering bowl, Yoruba People, Nigeria, 1940s There is a small old chip on the top, please refer to the photos. The numbers are the inventory numbers from Pennsylvania State University and Lehigh University. Exhibited: The Pennsylvania State University - Museum of Art permanent collection; The Lehigh University - Art Galleries permanent collection and the Provenance: The collection of Dr and Mrs. John E. Swanson. Dr John Swanson and his wife Marian lived from 1966 - 1981 in Lagos, Nigeria where Dr Swanson was the Advisor to the National Universities Commission and later on the Chief Planning Officer of the University Of Ibadan, Nigeria. During their time in Africa the Swansons started to collect African art. In 1973 a part of their collection, circa 120 pieces went on loan to The Pennsylvania State University Museum of Art, where they remained until 1978. In 1981 Dr Swanson passed away and his wife Marian never returned to Africa. In 1982 Mrs. Swanson lent 130 pieces to the Lehigh University Art Gallery where they remained until 1987. A few pieces were also lent to Lafayette College...

Hand carved ebony hardwood bust of a young Benin warrior Traditionally carved Benin artistry Circa 1970 Height 10.75 inch, Width 5.5 inch, Depth 2.75 inc...

Wonderful hand carved ebony hardwood figure of a young Benin man, possibly a future King Oba Excellent traditional Benin artistic carving A delightful piece Circa 1970 Height 13...

The young dancers wear an armor of threads over their bodies, showing off an ancient indigenous art form. Colorful thread combinations characterize the huipil dress, a rectangle of cloth handwoven on a backstrap loom that dates back thousands of years in used in Zapotec culture. Through symbols in their dresses, Zapotec women wear their identity, history, culture, power, social and marital status, religion, personality, and power. In this folkloric dance, “Flor de Piña” (Pineapple Flower), innocence surrounds young girls as they dance and hold pineapples on their shoulders as an offering. Their long braids represent purity and their bare feet symbolize their connection to the Earth. This folkloric dance is part of the “Guelaguetza” (name in the indigenous Zapotec language) Festival Celebration. Since pre-hispanic times, the indigenous people of Oaxaca have honored the goddess of maize with this festival, performing and offering gifts to ensure a good harvest. Husband and wife, master woodcarver Manuel Cruz and wood painter...

Whimsical Folk Art carving of a man peering out the window with an exposed bottom. Signed "Clyde".

A great set of 13 hand-carved figures each with an individual face depicting a different figure. Varying in size from 6 in to 13 in height. Found an upstate New York.

This 19th century harvest African currency is from the Ibo tribe in Nigeria. It looks something like an animal and reminds of a crocodile. One of the end sections is slatted so as to...