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Antique Ceremonial Beaded Apron Textile from South Africa

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Framed Pre-Columbian Proto Nazca Textile Frangment
Located in Atlanta, GA
A Proto-Nazca textile fragment from Southern Peru circa 100BC-200AD. The linked munecas ("dolls" in Spanish) figures were woven with fibers likely from l...
Category

Antique 15th Century and Earlier Peruvian Pre-Columbian Tapestries

Materials

Wool

Ceremonial Cape Textile Art from Hmong Miao People
Located in Atlanta, GA
An oversized and impressive cape worn during ceremonial dancing by Miao people (also known as Hmong in English) from Guizhou Province, China circa 1940s-1950s in a rarely intact and well-preserved condition. Miao people are diverse minority groups living in Southern China as well as Southeast Asia with complex sub-affiliations based on attires, languages, cultural customs and art tradition. They are renowned for their textile and silver craftsmanship as well as singing and dancing traditions. This cape, rather heavy in construction and striking in bold red and black, was made from wool, hemp and cotton. The surface showcases elongated diamond patterns in complementary woven wool and couched plaque on top of the cotton part. The pattern strikes the viewer with a strong sense of dignity and power. The heavy material and pattern are strangely akin to some of the Navajo weaving. The cape is in a form a jacket with long and wide sleeves, and it was meant to be used in ceremonial occasions. Our research reveals that the piece was from the Northwest Guizhou in an autonomous county called Weining. The area is of subtropical highland and the generally cold weather was reflected in the heavy materials used in this piece, in comparison with other textiles made in the warmer lowland. There is an older paper label with price tag in Chinese inside the cape. It was purchased in Guizhou decades ago by a US collection in MA. With a span of over 94 inches long, it makes a very impressive textile art piece for wall hanging. Not framed and easily shipping folded up. For a similar jacket from Weining, see "Miao Textile...
Category

Mid-20th Century Chinese Tribal Textiles

Materials

Textile

Large framed Antique Indonesia Ceremonial Ikat Hinggi from Sumba
Located in Atlanta, GA
A large and striking woven Ikat from Sumba, Indonesia, circa early 20th century or earlier. This ceremonial cotton Hinggi with fringes is made from two panels joined together, which ...
Category

Early 20th Century Indonesian Tribal Tribal Art

Materials

Cotton

Two Ceremonial Weapon from Highlands of Papua New Guinea Provenance
Located in Atlanta, GA
Two Oceanic ceremonial weapons from PNG highlands circa 20th century. It consists of two pieces. The first is an ax with a wood shaft and a flat elongated he...
Category

Mid-20th Century Papua New Guinean Tribal Tribal Art

Materials

Rattan, Wood

Helmet Crest Ngoin Mask from Cameroon Africa
Located in Atlanta, GA
This Helmet Crest mask is categorized as a “Babanki” style Ngoin mask from Northwestern provinces of Cameroon circa first half of 20th century. In part of highland area called “Camer...
Category

20th Century Cameroonian Tribal Tribal Art

Materials

Wood

Guere Mask from Cote d'Ivoire Africa with Sotheby's Sticker
Located in Atlanta, GA
A Guere wood mask with paint and fiber remnant from We people displayed on a metal stand. The We people (also known as the Krahn or Guere) are an indigenous African people that inhabit areas in nowadays eastern Liberia and western Côte d'Ivoire. Their material culture shares many aspects with the neighboring Dan tribe. Like the Dans, the We use a wide variety of masquerades, which hold important regulatory position within their small, egalitarian communities. Masks are owned by families and used by individual lineage members in contexts of social control, ritual ceremony and entertainment. This type of Guere mask, however, has a distinct fearsome character. The ferocious design with jagged facial expression, bulging tubular eyes are intended for use in mediations between community members, as visual aids during moral lessons, as well as forms of entertainment. By portraying the more frightening nature of the animal, the mask is viewed as powerful and may have been used as part of social control methods prior to the introduction of Western law systems during the colonial period. The mask on offer, based on our examination, appears to be an original one that was used natively instead of reproduction made for the tourist market. The surface presents apparently genuine patina consistent with use. The red paint that highlights the eyes and gapping mouth also appear original. There are small losses flanking the nose ridge by the eyes, extensive surface accretion, remain of some fiber tassels. The back of the mask reveals chisel marks from hand tools and importantly, stain marks that were likely from repetitive contacts from the nose of the wearer. The mask is 9" in height, and it retains an old Sotheby’s catalog...
Category

20th Century Ivorian Tribal Tribal Art

Materials

Wood

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Antique Beaded Ceremonial Dance Sarong (Lawo Butu) East Flores, Indonesia
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African Textile Showa Kuba
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Early 20th Century Ceremonial Cloth / Tampan, South Sumatra, Indonesia
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