Bronze Headdress "God of Thunder" - Protection, Yoruba People, 1930s

Gelede festivals honor the creative and dangerous power of women elders, female ancestors and goddesses known as "our mothers". The Gelede headdress often consists of two parts, a lo...

Gelede festivals honor the creative and dangerous power of women elders, female ancestors and goddesses known as "our mothers". The Gelede headdress often consists of two parts, a lo...

Gelede festivals honor the creative and dangerous power of women elders, female ancestors and goddesses known as "our mothers". The Gelede headdress often consists of two parts, a lo...

Gelede festivals honour the creative and dangerous power of women elders, female ancestors and goddesses known as "our mothers". The Gelede headdress often consists of two parts, a lower mask and an upper elaborate superstructure. The lower mask depicts a woman's face, it's composure expressing the qualities of calmness and patience. The numbers are the inventory numbers from Penn State University and Lehigh University. Exhibited: The Pennsylvania State University - Museum of Art permanent collection; The Lehigh University - Art Galleries permanent collection. Provenance: The collection of Dr and Mrs John E. Swanson. Dr John Swanson and his wife Marian lived from 1966 - 1981 in Lagos, Nigeria where Dr Swanson was the Advisor to the National Universities Commission and later on the Chief Planning Officer of the University of Ibadan, Nigeria. During their time in Africa the Swansons started to collect African art. In 1973 a part of their collection, circa 120 pieces went on loan to The Pennsylvania State University Museum of Art, where the remained until 1978. In 1981 Dr Swanson passed away and his wife Marian never returned to Africa. In 1982 Mrs Swanson lent 130 pieces to the Lehigh University Art Gallery where they remained until 1987. A few pieces were also lent to Lafayette College...

Wooden head of an Ooni of Ile-Ife, Yoruba People, Nigeria, circa 1930s. The Ooni is the traditional ruler of Ile-Ife. The Nigerian town is seen as the cradle of the Yoruba people. The number is the inventory number from Lehigh University. Exhibited: The Lehigh University - Art Galleries permanent collection. Provenance: The collection of Dr and Mrs John E. Swanson. Dr John Swanson and his wife Marian lived from 1966 - 1981 in Lagos, Nigeria where Dr Swanson was the Advisor to the National Universities Commission and later on the Chief Planning Officer of the University of Ibadan, Nigeria. During their time in Africa the Swansons started to collect African art. In 1973 a part of their collection, circa 120 pieces went on loan to The Pennsylvania State University Museum of Art, where the remained until 1978. In 1981 Dr Swanson passed away and his wife Marian never returned to Africa. In 1982 Mrs Swanson lent 130 pieces to the Lehigh University Art Gallery where they remained until 1987. A few pieces were also lent to Lafayette College...

Wooden head of a wife of an Ooni of Ile-Ife, Yoruba People, Nigeria, circa 1930s. The Ooni is the traditional ruler of Ile-Ife. The Nigerian town is seen as the cradle of the Yoruba people. The number is the inventory number from Lehigh University. Exhibited: The Lehigh University - Art Galleries permanent collection. Provenance: The collection of Dr and Mrs John E. Swanson. Dr John Swanson and his wife Marian lived from 1966-1981 in Lagos, Nigeria where Dr Swanson was the Advisor to the National Universities Commission and later on the Chief Planning Officer of the University of Ibadan, Nigeria. During their time in Africa the Swansons started to collect African art. In 1973 a part of their collection, circa 120 pieces went on loan to The Pennsylvania State University Museum of Art, where the remained until 1978. In 1981 Dr Swanson passed away and his wife Marian never returned to Africa. In 1982 Mrs Swanson lent 130 pieces to the Lehigh University Art Gallery where they remained until 1987. A few pieces were also lent to Lafayette College...

This wooden headdress was created by the Yoruba People of western Nigeria, and was worn during a masquerade known as egungun. A widespread Yoruba ritual, egungun performances honor a...

This painted mask was created by the Yoruba People of western Nigeria, and was worn during a tradition known as Gelede. A blend of ritual and artistic spectacle, Gelede pays homage to the women of their Community, understood to possess spiritual powers capable of the benefit or the destruction of society. The Gelede masquerade is an opportunity to honor or condemn behaviors within the Community, through dance, art, satire, and poetry. Worn by veiled dancers, Gelede masks...

With one of the highest rates of twin births in the world, Yoruba cultures place special social and religious significance on twins, referred to as "emi alagbara" or "powerful spirit...

A scarce large vintage African tribal beaded ceremonial crown altar headdress, the Yoruba peoples, Nigeria, West Africa, Mid-20th Century, featuring intricate sculptural form decorated in polychrome beads and nassa sea shells, depicting central warrior figure mounted on figural horse or donkey animal, flanked by four standing figures, atop cylindrical crown, adorned with lizards and mask. Many people refer to this type of altar item...

West African hand beaded head dress crown from Yoruba, Nigeria. This artistic beautiful and functional art piece is covered with beads in turquoise, orange, green, yellow red, blue ...

Bamana old original pair Chi Wara headdress. Chi Wara (Antelope Headdress.) The dry savanna permits no more than a subsistence economy and the soil produces,...