Early Papua New Guinea Sepik Woven Raffia Talipun Mask Red Pigments ex Hamson

Early Papua New Guinea Sepik tightly woven raffia mask from a talipun bride price currency. Areas of white, black and red pigments. Wonderful heart shaped face with open eyes and mouth. This mask or face would have been tied to a large shell which was the currency used...

Early Papua New Guinea painted Maprik carved wood mask with long curved tongue. Mid-20th century, ex Michael Hamson, CA with label on back. Classic Maprik colors with faded polychrom...

Early Papua New Guinea Sepik River area tightly woven raffia yam mask with areas of heavy yellow and black pigments. In profile small bird beak form at bottom...

Early Papua New Guinea abstract hook figure or mask with two opposing hooks, and central looped design, Sepik River area. Some chips missing to central loops. Small hole at top for s...

Early Papua New Guinea Sepik hard wood yam mask with areas of red, black and white pigments. Mask is 10 inches high, on custom metal base total height 12 1/2...

Group of three early Papua New Guinea Sepik miniature tightly woven raffia yam mask with areas of heavy yellow and black pigments. Different Bird imagery in e...

Ancient and exceptional mask of the brag type, Murik Lakes , Mouth Of The Lower Sepik / Ramu Papua New Guinea A lovely patina and traces of red/brown ochres. Length: 47 cm Very good ...

A pair of Papua New Guinea yam festival masks from the mid 20th century. These vintage ceremonial masks, also referred to as a baba mask, originate from the Abelam people, along the ...

A well preserved Yam Ancestor mask professionally presented on a museum quality acrylic display stand. The mask was a classic tribal art piece from Abelam people who live in Maprik a...

Biwat people mask from the Yuat river region middle Sepik river Papua New Guinea in nicely aged original rich surface color patina to wood, shells and natural fibers. Circa 1980. Loo...

Antique Ethnic Artifact Sepik River Cassowary Bone from Papua New Guinea For many groups in Papua New Guinea, bone was an important medium for making tools of all types. This artifact is made from leg bone of a cassowary, a large, flightless, and extremely dangerous, bird. Cassowaries also play an important role in the mythology of groups in the Sepik River area. Though no longer used these bone artifacts are still used ceremonially. They often play important roles in male initiation and other rituals. They are also worn as personal adornment by tucking them into a band of braided fibers worn around the upper arm. Antique Ethnic Bone Cassowary Artifact with minimal carving and incised design confined to the joint end. A small hole has been drilled through from both sides of the top and presumably for the threading of a cord. The bone has been partially divided near the top and to form two prongs that project down the back of the dagger possibly allowing the user to wear is tuck into a waist band or belt. Origin Papua New Guinea Maprik Dist Area From the Art Collection of Marian and John Scott, acquired in 1962. Similar items are in display in the Timothy S. Y. Lam Museum of Anthropology. Purchased from the amazing private collection of Mark Lissauer who spent his life collecting niche ethnographic pieces. About Mark Lissauer: Mark Lissauer spent forty years travelling abroad for months at a time collecting ethnographic artefacts primarily from New Guinea and the islands of the West Pacific, and from Asia and Himalayan countries. Fluent in five languages and having in the course of business travelled to more than forty countries, Mark is well-known to museums and art-collectors around the world for his long career and his interesting and diverse collection of rare ethnographic material. Mark knows the origin and symbolism of each piece. Through extensive research and more than ninety trips around the globe, Mark familiarised himself with the traditions of the various cultures he visited in order to understand the meaning of each object to its region and tribe. His home has a specialist library and several rooms are filled with tribal carvings, textiles and ethnographica. He acquired his first tribal piece in 1948 during a business trip to Milne Bay, New Guinea, and has since documented the acquisition of some 35,000 items. Several thousands of these have been sold to important private collections and museums worldwide, including the Rockefeller Museum, the British Museum and the Musée National des Arts d’Afrique et d’Océanie, now incorporated into the Louvre Museum. Estimator certificate of authenticity by Wayne Heathcote Tribal Art Dealer and Expert. Heathcote has a flash gallery in Brussels, where much of the tribal art business is centred, and is an expert at Sotheby's tribal art sale...

A Papua New Guinea yam festival mask of a horn-billed bird from the mid-20th century. This vintage ceremonial mask, also referred to as a baba mask, originates from the Abelam people...