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RARE BAMANA 'SURUKU' MASK FROM MALI circa 1900

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Four rams Ntomo Mask, Bamana Population, Mali
Located in Paris, FR
The Ntomo mask is used during initiation rituals for youths in Bamana societies of West Africa. It is recognizable by its upper part shaped like a comb, with three to eight horns sym...
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20th Century Malian Folk Art Masks

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Hand-Carved Wood Borneo Dayak Tribe Mask, Indonesia c. 1900
Located in Jimbaran, Bali
This hand-carved wooden mask is from Central Kalimantan on the island of Borneo. It features bulging eyes and a mouth emphasised by a full set of teeth and small nose. These masks we...
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Early 20th Century Indonesian Other Masks

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Nocturnal Bird Mask, Nigeria, Africa, circa 1950
Located in San Pedro Garza Garcia, Nuevo Leon
Very beautiful mask with large pronounced eyes with the circular cavity shape. The mask depicts a nocturnal bird that can see in the darkness and manifest the presence of divinities ...
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Mid-20th Century Nigerian Tribal Masks

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Splendid Seven rams Ntomo Mask, Bamana Population, Mali, 1930-1940
Located in Paris, FR
The Ntomo mask is used during initiation rituals in West Africa. It is identifiable by its horns, which range from three to eight. The Bamana, also known as the Bambara, live in Mali...
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Vintage 1930s Malian Folk Art Masks

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Bamana N'tomo mask, Mali, 20th century
Located in NICE, FR
Bamana N'tomo mask, Mali, 20th century "Generally surmounted by three to eight horns forming a comb, the N'tomoface mask refers to a moment of compulsory education given to uncircumcised young boys in certain West African societies. The mask's discreet, even absent, mouth emphasizes the behavior expected of them in their future adult life after training: controlling and measuring their words, knowing how to keep quiet, preserving secrets and enduring pain in silence." Excerpt from Masques du N'tomo, Marc Ladreit de Lacharrière Collection, Musée du Quai Branly Jacques Chirac, France. The Bambara, or Bamana, live in central and southern Mali. Their name means “unbeliever” and was given to them by the Muslims. Animists, they believe in the existence of a creator god called Ngala, who maintains the order of the universe and coexists with another androgynous god called Faro, master of the Word, who gave all qualities to mankind and makes the fruits of the earth grow. Traditional Bamana art objects are closely linked to agrarian rites. The Bamana dance these masks during initiation and circumcision ceremonies for young boys in the Ntomo society. The face, with its vertical outgrowths at the top, adopts geometric features beneath a rounded forehead, including an imposing busted nose, as the Bamana favor this organ in their statuary as it evokes sociability and clan cohesion. Indeed, during choreography, the dancer frequently touches the nose of the mask. As teaching aids for candidates, masks from societies accessible to young boys and adults, such as the N'tomo, Korè and Ci wara...
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Vintage 1930s Malian Tribal Tribal Art

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Early 20th Century Hand-Carved Wood Tribal Mask from Atoni Tribe Timor
Located in Jimbaran, Bali
This very flat mask originates from the Atoni people of Timor, featuring two very small eye holes. For the Timorese people masks portray both male and female ancestors, worn by warri...
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Early 20th Century Indonesian Other Masks

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