3 Frits Schlegel P295 Brass Pendants for Lyfa, Denmark, 1960s

This Multi-Lite pendant was designed by Danish architect and designer Louis Weisdorf in 1972, and manufactured by the Danish lighting company Lyfa. It is one of the most recognisable...

These Lyfa-edition “Saga” wall sconces by Danish architect and designer, Kay Kørbing are true collectors’ pieces. By the 1950s, Lyfa had built an international reputation for original, high-quality, modernist lamps. In the postwar era, the company collaborated with esteemed architects and designers to produce minimalist, sculptural pieces including these lamps. Made of brass, metal, and crystal, the design of this model is entirely in the vein of modernism, while also sticking to the main ideals of Danish design, such as functionality. This can be observed in the lamps’ build that allows them to be faced either up- or downwards. The proportions are carefully thought out, with three main sections comprising the design. The three elements - the brass base, black metal shade holder, and the crystal glass shade - are clearly separated both by their shape, material, and colour. Most eye-catching are the Orrefors crystal glass shades in a peculiar shape that appear to be roll cut. Orrefors has been established in Swedish design tradition since 1898. Glass from the forests of Småland was incomparable: “Il n’y as que ça!” (There is nothing like it!) exclaimed the 1925 Paris World Fair. As these sconces showcase, the glass and shape are always in focus, combined with elegance, simplicity, and confidence. The predominantly round shapes are balanced by the square backplate. The artistic design is very honest in a purely Scandinavian manner, exposing the joinery and the materials’ natural qualities as well. This pair of “Saga” wall sconces is a stunning example of how the 1960s are still able to deliver modern "art" to any interior. The producer, Lyfa, produced some cabin lamps...

The “Auditorie” series contains three lamps differing in size, this pendant is “Auditorie 3”, the largest one with the most shade layers. Known for its long, elegant neck and multilayered shade system, this rare model is among Svend Middelboe’s most coveted designs. This model has several common details with the Verona pendant light; it was designed with functionality in mind, specifically to spread light in the most efficient way. The inner shades diffuse light and there is no glare. The large main shade, dictates the design; the upper umbrella-like shade is connected to the stem that contains the socket. There are three more shades gradually decreasing in size. Like the Verona model, the surface on the outside is brass anodized aluminium, while the inside is lacquered white. From the late 1950s, Nordisk Solar Compagni—or simply “Solar” (as seen in adverts and catalogues from the era)—focused entirely on manufacturing high-quality lighting. They collaborated with the era’s most well-known Danish lighting designers and used their expertise in using plastic for the production of radio sets, to create exceptional lighting fixtures in the late 1950s and 1960s. Svend Middelboe’s pendants were among the best-selling models in the company’s catalogue. Danish lighting manufacturer Nordisk Solar was founded in 1919 by Jacob L. Jørgensen and Herluf Sørensen. Svend MIddelboe joined the company later, and soon became a permanent designer. The company is still well-known today on the vintage markets for its Mid-Century Modern pendants and layered lighting...

The “Verona” pendant is easily one of the most recognizable lighting designs of the Scandinavian mid-century. Its layered look is unmistakeable and became synonymous with Svend Midde...

The two Danish designers, Preben Juhl Fabricius and Jørgen Kastholm agreed upon the design philosophy of “perfection, aesthetics and minimization”. Their most famous lighting design, the “P376 KF1...

This marvellous, brass six-light ceiling light was created in what we now call “the golden age of Scandinavian design”. The period saw the revival of an elementary, undecorated visual language, emphasizing sleek design and craftsmanship as this Swedish model demonstrates. Uno & Östen Kristiansson’s present model has a brass body with six arms, each one holding a tubular white acrilyc shade on an elongated shade holder. Following the sleek shape of the shade holders, the rod and the arms uniting at the cluster have the same shape resulting in a sleek look with a contemporary edge. The structure is uncluttered so that the shades can stand out. The eye-catching brass body balances the minimalist look with the warmth the light creates. Thanks to the arrangement of the white acrylic shades, light is distributed evenly in all directions when switched on. The combination of materials, shapes, and textures creates this lamp’s modern, sleek design, a clear return to bright simplicity that is in opposition with the flowing, organic lines of the reconstruction of the early 20th century. Defined by long, vertical lines, this model is uniquely stylish and guaranteed to stand out. In 1950, Uno Kristiansson founded his own manufacturing company, Luxus, which was situated in Vittsjö. In the 1950s, the collections were launched nationally in Sweden, and internationally across Europe. Swedish designers and brothers Uno & Östen Kristiansson, were particularly active from the 1950s to the 1970s in Sweden. They were prolific designers with a clear design aesthetic that is easily recognizable as Scandinavian modern. Condition: In good vintage condition consistent with age and use. The brass has some small marks and stains. Dimensions: 32.28 in Ø x 33.85 in H 82 cm Ø x 86 cm H About the Designer: Swedish designers and brothers Uno & Östen Kristiansson, known for their lighting and mirror designs, were particularly active from the 1950s to the 1970s in Sweden. Although there is a dearth of biographical information available on the pair, their designs are nonetheless appreciated by vintage lovers, and are highly sought-after on the vintage market today. Uno was born in 1925, and Östen two years later in 1927. Little is known about their formative years, but it can be surmised that they spent their early years in southern Sweden, learning the furniture trade from their father who ran his own furniture business, Vittsjö Furniture (established in 1919), named after the Swedish village in which it was located. In 1950, Uno Kristiansson founded his own manufacturing company, Luxus, which was also situated in Vittsjö. He produced a range of products, including home and interior lamps, furniture and mirrors, that were designed by the two brothers. In the 1950s, the collections were launched nationally in Sweden, and internationally across Europe. In 1968, Luxus presented a collection of lamps with brightly coloured textile shades that perfectly encapsulated the mood of the 1960s. They are said to have been designed by renowned Finnish textile...

Pendant in patinated brass designed by Frits Schlegel for Lyfa. Made in Denmark, great original condition.     

Pendant in patinated brass designed by Frits Schlegel for Lyfa. Made in Denmark, great original condition.  

Brass rise and fall hanging lamp designed by Fritz Schlegel produced by Lyfa 1960s Model P295. The lamp is adjustable in height using a pulley in a brass housing. The lamp can be a...

A 1960s Danish aluminium and orange enameled pendant by Bent Karlby for Lyfa (editor).

"Divan-2" ceiling light designed by Simon P. Henningsen. Originally designed in 1962 for the Divan-2 restaurant at Tivoli in Copenhagen. Chromed steel with polychrome lacquered insid...

Orange and cream or off-white colored pendant lamp by Danish lighting manufacturer Lyfa. This light is a rare design that is not offered much. An arrangement of 4 in color lacquered ...