Poul Henningsen 1894-1967, PH 3½-3 Pendant with Brass Socket / Metal

Poul Henningsen / Verner Panton style, large ceiling lamp in Plexiglas with four lamellae inside. Absolutely beautiful and modern lamp. Danish design, 1950s-1960s. Measures:...

Poul Henningsen / Verner Panton style large ceiling lamp in Plexiglas with four lamellae inside. Absolutely beautiful and modern lamp. Danish design, 1950s-1960s. Measures: ...

Fog & Mørup pendant in frosted opal glass with brass mounting. Mid-20th century. Measuring: D 30 cm. x H 31 cm. In excellent condition.   

Fog & Mørup pendant in frosted opal glass with brass mounting. Mid-20th century. Measures: D 30 cm. x H. 31 cm. In excellent condition.

Nanny Still Mckinney (1926-2009) for Raak, bronzed metal and yellow glass pendant. Finnish design. 1970s. In perfect condition. Dimensions: H 29.0 x D 15.0 cm.

Svend Aage Holm Sorensen. A pair of ceiling pendant lamps in brass, Danish design, 1960-1970s. Measures (without suspension): H. 35 cm. D. 28 cm. In perfect condition.

The fixture design is based on the principle of a reflective three-shade system, which directs the majority of the light downwards. The shades are made of hand-blown, opal, three-layer glass, which is glossy on top and sandblasted matte on the underside, giving a soft and uniform light distribution. Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The PH 2...

The fixture design is based on the principle of a reflective three-shade system, which directs the majority of the light downwards. The shades are made of hand-blown, opal, three-layer glass, which is glossy on top and sandblasted matte on the underside, giving a soft and uniform light distribution. Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The PH 3...

Poul Henningsen developed the PH 5 in 1958 as a follow-up to his celebrated three-shade system. The fixture emits both downward and lateral light, thus illuminati...

The trumpet-shaped top shade provides illumination of the area above the three lower shades, which primarily direct the light downwards. A base reflector and a blue glare ring protec...

The fixture is designed based on the principle of a reflective three-shade system, which directs the majority of the light downwards. The shades are made of metal and painted white to ensure uniform, comfortable light distribution. Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The PH 4...

The trumpet-shaped top shade provides illumination of the area above the three lower shades, which primarily direct the light downwards. A base reflector and a blue glare ring protect against glare from all angles. The strongest light is directly under the fixture. The shades have a matte white painted finish to ensure very comfortable lighting. Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The four-shade system was launched in 1931 to create a fixture that could be mounted high up and serve as an alternative to the commonly used chandeliers. The PH four-shade fixture was designed to increase the amount of light emitted horizontally to provide greater illumination of walls and shelves than was possible using standard three-shade lights. It was removed from the Louis Poulsen standard range in the 1940s, but was redesigned in 1979 by Danish architects, Sophus Frandsen and Ebbe Christensen, for the Charlottenborg exhibition building in Copenhagen (although in a larger size: PH 6...