Brass Multi-Lite Pendant by Louis Weisdorf for Lyfa, Denmark 1972

These Lyfa-edition “Saga” wall sconces by Danish architect and designer, Kay Kørbing are true collectors’ pieces. By the 1950s, Lyfa had built an international reputation for original, high-quality, modernist lamps. In the postwar era, the company collaborated with esteemed architects and designers to produce minimalist, sculptural pieces including these lamps. Made of brass, metal, and crystal, the design of this model is entirely in the vein of modernism, while also sticking to the main ideals of Danish design, such as functionality. This can be observed in the lamps’ build that allows them to be faced either up- or downwards. The proportions are carefully thought out, with three main sections comprising the design. The three elements - the brass base, black metal shade holder, and the crystal glass shade - are clearly separated both by their shape, material, and colour. Most eye-catching are the Orrefors crystal glass shades in a peculiar shape that appear to be roll cut. Orrefors has been established in Swedish design tradition since 1898. Glass from the forests of Småland was incomparable: “Il n’y as que ça!” (There is nothing like it!) exclaimed the 1925 Paris World Fair. As these sconces showcase, the glass and shape are always in focus, combined with elegance, simplicity, and confidence. The predominantly round shapes are balanced by the square backplate. The artistic design is very honest in a purely Scandinavian manner, exposing the joinery and the materials’ natural qualities as well. This pair of “Saga” wall sconces is a stunning example of how the 1960s are still able to deliver modern "art" to any interior. The producer, Lyfa, produced some cabin lamps...

The “Auditorie” series contains three lamps differing in size, this pendant is “Auditorie 3”, the largest one with the most shade layers. Known for its long, elegant neck and multilayered shade system, this rare model is among Svend Middelboe’s most coveted designs. This model has several common details with the Verona pendant light; it was designed with functionality in mind, specifically to spread light in the most efficient way. The inner shades diffuse light and there is no glare. The large main shade, dictates the design; the upper umbrella-like shade is connected to the stem that contains the socket. There are three more shades gradually decreasing in size. Like the Verona model, the surface on the outside is brass anodized aluminium, while the inside is lacquered white. From the late 1950s, Nordisk Solar Compagni—or simply “Solar” (as seen in adverts and catalogues from the era)—focused entirely on manufacturing high-quality lighting. They collaborated with the era’s most well-known Danish lighting designers and used their expertise in using plastic for the production of radio sets, to create exceptional lighting fixtures in the late 1950s and 1960s. Svend Middelboe’s pendants were among the best-selling models in the company’s catalogue. Danish lighting manufacturer Nordisk Solar was founded in 1919 by Jacob L. Jørgensen and Herluf Sørensen. Svend MIddelboe joined the company later, and soon became a permanent designer. The company is still well-known today on the vintage markets for its Mid-Century Modern pendants and layered lighting...

The two Danish designers, Preben Juhl Fabricius and Jørgen Kastholm agreed upon the design philosophy of “perfection, aesthetics and minimization”. Their most famous lighting design, the “P376 KF1...

At the Tenth Milan Triennial in 1954, Finland received the largest relative proportion of available prizes. A new era had begun: the 1950s and 1960s became known as the golden age of...

Rare and early mid century white "mulit lite" ceiling lamp pendant in white adjustable lacquered metal shades and chrome frame by Louis Weisdorf produced by Lyfa Denmark, 1960s. Di...

Rare "Multi Lite" brass pendant designed by Louis Weisdorf and produced by Lyfa Denmark 1972. In good original condition with the original sticker still attached. Dimensions: H: 40...

Very nice Danish pendant lamp from the 1960s. The design and the appearance of the lamp is particularly beautiful. The shape creates a wonderful light. High-quality workmanship an...

Some of the most beloved lighting designs that Weisdorf put into production with Lyfa include the conch Hanging Lamp (1963). Because Weisdorf's designs tended to involve intricate, overlapping layers of metal—an eye-catching composition to reduce glare—Lyfa sold his work as "prestige lighting...