Contrappeso Chandelier, 4 hues of blue "Quadriennale"

This colorful chandelier will add a dash of color and a dynamic accent to a modern interior. Inspired by iconic designs of the '50s, this piece features a natural solid brass structu...

Named after the Italian word for counterweight, this chandelier creates a delicate balance of natural solid brass elements ending on one side with a double aluminum shade hand-painte...

A magnificent interpretation of mid-century style, this three-arm chandelier combines the warm glow of natural solid brass with the ivory-hued aluminum of its three double shades. Th...

Part of the Contrappeso (counterweight) collection, this floor lamp is an exercise in balance and sophistication. Its solid brass structure is finished by hand with wax and raises fr...

Part of the Contrappeso Collection, this floor lamp is a homage to the piece displayed in 1951 at the Triennale in Milan and exudes mid-century understated elegance and a rationalist...

With a stunning design reminiscent of mid-century mobile sculptures, this chandelier features a natural solid brass structure with a central support balancing four arms creating a pl...

The chandelier takes inspiration from the renowned light fixtures created by Italian mid-century modern studios Arteluce and Stilnovo in the 1950s, particularly Angelo Lelii's Triennale lamp. However, it introduces a unique and exclusive design aspect through the implementation of four different hues of blue on each shade. These color variations create a delicate contrast between each arm, imparting a modern flair to the overall aesthetic. This chandelier features four counterbalanced arms that can be moved up and down and also slightly lateral movement. With its pivoting shades, this chandelier effortlessly distributes light throughout the room. The upper shades contribute to ambient lighting, creating a warm and inviting atmosphere, while the lower shades provide task and direct lighting. Each arm has a counterweight in the same color of the opposite shade. There are infinitive positions for this chandelier and the crossing design of the arms are creating a distinctive appeal. The shades themselves are meticulously crafted from spun aluminum and the distinctive line of small holes preserves the authentic mid-century aesthetic. Each shade consists of two separate cones, with a candelabra socket on the smaller cone and a regular socket on the larger lower dome-shaped shade. The chandelier's arms and body are in solid brass lightly polished yet intentionally left unprotected to allow the natural patina to develop over time. Crafted by our specialized workshop dedicated to mid-century modern design, every aspect of this fixture is meticulously considered. The finish and appearance are carefully matched to the rare lamps of the 1950s that served as inspiration. The term "Quadriennale '' is a play on words. It originated from Angelo Lelii's "Triennale chandelier...

Bespoke chandelier with three arms that are counterbalanced. That allows to move the arms up and down. The heads are on a pivotting joint to they ca...

This exquisite Murano glass chandelier boasts delicate glass elements that shimmer and radiate a cozy, welcoming ambiance, making it the perfect centerpiece for any living space. Man...

Poul Henningsen PH5 pendant for Louis Poulsen. Denmark. Designed in 1958. New, current production. Poul Henningsen developed the PH 5 in 1958 in response to constant changes made to the shape and size of incandescent bulbs by bulb manufacturers, naming it after the size of the pendant’s main shade, which is 50 cm in diameter. When the lamp was introduced, he wrote, typically daringly, about how he had lost faith in whether the manufacturers of incandescent light bulbs would ever learn to consider common sense or have the consumer’s best interests at heart: “I have accepted fate, and with Louis Poulsen´s permission I have designed a PH fixture, which can be used with any kind of light source, Christmas lights and 100 W metal filament bulbs. Although a fluorescent tube would be too much to ask in the existing form!” Henningsen wanted to improve the colour reproduction characteristics of the light source in the PH 5. Small red and blue shades were therefore inserted to supplement the colour in the part of the spectrum where the eye is least sensitive – the red and blue areas – thereby subduing the light in the middle yellow-green region where the eye is most sensitive. At the time, no one knew that the PH 5 would become synonymous with the PH light, which remains 100% glare-free, irrespective of how the light is installed or which light source is used. The red and blue rings...

Poul Henningsen PH5 mini pendant for Louis Poulsen. Designed 1958, Mini in 2017. New, current production. Poul Henningsen developed the PH 5 in 1958 in response to constant change...

This captivating and graphic modernist sputnik chandelier was handblown in Murano, Italy- the island off the coast of Venice renowned for centuries for its superlative glass producti...