An Empire c. 1810 gilt bronze and crystal chandelier attributed to Ravrio, Paris

An impressive large cartel clock adorned with musicians Gilt bronze Period Louis XV, circa 1760 Mecanism by J. B. Regnauld (1733-1809) clockmaker at Châlons sur Marne Gilt bronze attributed to Jean-Joseph de Saint-Germain (1719-1791) Excellent original condition Dimensions : h. 47.24 in, w. 22.84 in. Provenance : collection Eduard Palmer (chief executive of Imperial and Royal Austrian Länderbank), Vienna, Austria. His estate sold at Dorotheum auction, Vienna, December 1 to 6, year 1915. This exceptional cartel clock we are offering here is one of the most representative works of Rocaille art during the reign Louis XV. The case is entirely executed in gilt bronze, very finely chiselled and depicts at its top a pastoral scene with a duo of musicians. A standing flute player, accompanied by a singer sitting on a rock holding a sheet music book. The couple are accompanied by a dog sitting quietly next to it and scratching its ear. The whole is embellished with flowery and foliage branches, volutes and large scrolls of acanthus, enclosing reserves lined with crimson velvet fabrics with pierced brass plates with stylized foliage and scrolls. This bucolic scene draws its inspiration from the paintings by Nicolas Lancret and Antoine Watteau. The circular white enamelled dial is signed “Regnauld à Chaalons”, indicates the hours in Roman numerals and the minutes in Arabic numerals by two pierced and gilded brass hands; the movement plate on the back is also signed. It strikes the hours, the half-hours, as well as the quarters, which was quite rare. Our cartel can be compared to an almost identical model whose movement is signed Pierre Le Roy...

This precious cabinet is one of the rare emblematic works of the city of Antwerp, produced in 17th century thanks to the collaboration between a painter and a cabinetmaker, and intended to adorn Kunstkammer (private museums) or art cabinets. Our cabinet is decorated with 13 oil painted panels featuring mythological and allegorical subjects and perfectly reflects the Antwerp pictorial trend of the early 17th century. Definitely in the spirit of the times, where one of the roles of the kunstkammer (the room for which it is intended) is to be able to contemplate the world in all its aspects. It opens with two doors revealing 10 drawers, 9 of which have painted panels on the front, a central door and an upper compartment, the interior of which is also decorated with a painted panel. The left door depicts a subject from Roman mythology: Pomona and Vertumnus in the garden. The fruits and vegetables placed at the feet of Pomona evoke the allegory of summer and the abundance of nature. While on the right door, under the airs of Venus and Love...

A regence boulle marquetry ormolu-mounted bracket clock Our violin-shaped cartel is decorated with a marquetry Boulle with engraved brass decorated with windings, florets, cartridge...

Late 17th century French Gilt Bronze Figure of a Crouching Venus Gilt bronze crouching Venus on a pedestal decorated with Boulle marquetry and...

A 19th century finely chiseled pair of French Louis XV gilt bronze figural candlesticks in the manner of Juste-Aurèle Meissonier, famous 18th cnetury French designer. Height 12.40 i...

Large leather and iron bound travel chest, very rare in its dimensions Late 15th century, Northern France Dimensions: h.103 cm, w. 178 cm, d. 77cm ( (H. 40.55 in, w. 70.08 in. d. 30.31 in) Our rectangular-shaped chest opens with a rounded lid. It is entirely covered in leather veneered on a wooden core, and decorated with wrought and crafted iron frames and hinges. It is garnished on all sides with iron hinges cut at the ends of Gothic trefoils. On the facade two lock plates with cut-out cloverleaf borders fitted with a hasp (one missing) attached to the cover. The iron bands serving as reinforcements on all sides as well as the central bands are decorated with plant and floral friezes and geometric patterns. These strips are attached to the wood using daisy-headed nails, typical of the French Renaissance. Given its size and loaded weight, our trunk has four carrying handles: two wrought iron side handles, but also two front handles. The interior has a stretched fabric dating from at least the 17th century, we find on the interior sides of the cover the original raspberry-colored vellum. This is a rare model in leather and iron of very large dimensions. Expensive materials, which were only used on small Gothic boxes (20 cm to 50 cm in length) like those in the public collections of many museums. Large chests exceeding 1 meter in length for the sake of economy and simplicity were generally made of wood sometimes covered with iron cladding. We found a large chest in the collections of the Metropolitan Museum of New York, but still smaller than ours (inv. 47.144, dim. H: 22 1/2" W: 50 1/2" D: 21"). There are also two similar large chests (with flat or slightly domed lids) in the collections of the Barcelona Leather...

A superb antique Empire gilt bronze and cut crystal multi light chandelier of exquisite detail embellished with cut crystal prisms and chains, circa 1810.

French Empire (circa 1810) gilt bronze and cut glass chandelier with cut crystal strands emanating from a gilt bronze center ring with 8 arms.

Early electrical gilt bronze and crystal empire chandelier. This chandelier has been professionally rewired and ready for install...

A rare and important Russian late 18th Century twelve candle crystal chandelier attributed to the renowned firm of Johann Zekh. Crafted in Saint Petersburg of mercury-gilded bronze, ...

A Superb gilt bronze & crystal Empire style Chandelier. Top ring featuring anthemia. Main ring with winged deity carrying gilt torcheres. The bottom part consists of seven concentric...

Each backplate topped with a mask of Athena surmounted by an owl and ending in a stylized bellflower and anthemion, issuing three leaf-wrapped scrolling arms. Electrified. André-Antoine Ravrio (1759-1814) was a French sculptor in bronze and was made a master founder in 1777 setting up in business 1790. Although Ravrio enjoyed success during Louis XVI’s reign, he achieved far greater fame under Napoleon. He took part in the first Exposition de l’Industrie, Paris, 1803 and then won a silver medal there in 1806. The same year he supplied a number of bronze furnishings for the Empress Joséphine’s apartments in the Tuileries and in 1810 was appointed as the Emperor’s chief bronzier. In this capicity he supplied some of the finest Empire bronze pieces, girandoles, candelabras and lamps as well as ornate furniture...