Items Similar to Fine Regency Period Gilt-Bronze and Cut-Crystal Frame Chandelier, circa 1830
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Fine Regency Period Gilt-Bronze and Cut-Crystal Frame Chandelier, circa 1830
$71,593.44
£52,000
€61,248.19
CA$98,079.43
A$108,827.40
CHF 57,006.13
MX$1,334,516.04
NOK 725,098.36
SEK 684,461.92
DKK 456,766.15
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About the Item
A fine Regency period gilt bronze and cut-crystal frame chandelier.
English, circa 1830.
This fine chandelier has a foliate corona hung with lancet-shaped drops above strings of facetted drops. Below is a circlet issuing eight scrolled foliate branches with cut-glass drip pans and nozzles, with further diminishing circlets of lancet drops below.
- Dimensions:Height: 42.92 in (109 cm)Diameter: 30.71 in (78 cm)
- Style:Regency (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1830
- Condition:
- Seller Location:Brighton, GB
- Reference Number:Seller: B688001stDibs: LU1028014265491
About the Seller
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The British Antique Dealers' AssociationLAPADA - The Association of Arts & Antiques Dealers
- ShippingRetrieving quote...Shipping from: Brighton, United Kingdom
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The etymology of the word "crystal" has its origins in the Ancient Greek word for ice ‘krystallos’. Rock crystal which is always cool to the touch they considered to be ice permanently frozen by the Gods. For thousands of years Rock crystal has been prized for its beauty and remarkable ability to refract light. When cut and polished, the inherent striations and inclusions of the crystal create a refracted light richer in luminosity than that of manmade crystal or glass. These properties have made it highly desirable throughout history; its scarcity ensuring its use was limited to all but the most luxurious of decorative items.
Rock crystal is in reality a natural quartz, pure monocrystals of siliceous oxide. A material of exceptional hardness with indices of light refraction close to that of a diamond, quartz has been mined and worked since antiquity. In the Middle Ages, this rare material was used almost exclusively on religious objects. A prohibitively expensive material, Cristal de roche was first mined in France in small quantities in the 17th century and its rarity forced artisans to innovate.
The imitation of crystal began in Venice in the 15th century - the art of the glassmaker being to recreate the limpidity and luminosity of rock crystal. To do this, the glassmakers invented a 'crystal' made in reality of glass combined with a mixture of potassium, silicon, manganese and lead oxide heated to between 1200 and 1500 degrees. This crystal imitated rock crystal, although it displays a metallic colouring. This crystal de roche should not be confused with what is now called crystal. The latter was a development of 18th century Bohemia and, subsequently France with the Manufacture Royale de cristaux.
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