Sculptural Light No. 67 by Milla Vaahtera

Sculptural light No. 30 by Milla Vaahtera Dimensions: W 78 x H min 60 cm Materials: Glass, brass In 2020 Milla Vaahtera started a series of unique sculptural lights made out of ...

Sculptural light no. 65 by Milla Vaahtera Dimensions: W 103 x D 55 x H 70 cm Materials: Glass, brass In 2020 Milla Vaahtera started a series of unique sculptural lights made out of brass and hand blown glass. "I have focused on mobile art work for the past few years and this series with light is a natural continuum of that work. These lights are all unique and made by a very intuitive process. Glass parts are made in collaboration with a team of glass blowers from Nuutajärvi Glass Village. The creative process of joining methods of art to traditional areas of craft is the most important thing to me in my work. Traditionally craft has been an area where professionals avoid failure. Lack of failure makes them good. I'm revolutionary in embracing failure in the craft process. I always find new techniques via failure. Failure is not opposite to success, it's a necessary part of it. When I find the flow of “not giving a shit” in my work, I find freedom and fun, and achieve the best work. Embracing failure shuts up the critical comments in my head and I’m liberated. I´m inspired by everything and find influences all around me. I find leaving some tool marks to the brass and "the mistakes" refreshing. With glass, the pieces where you could see the moment of melt in the final work are always my favorites. And I felt that now I work in dialogue with glass. I learned to use improvisation at the moment to maintain the wild nature of glass. Glass is like me, spontaneous and organic. " Glassblowers: Paula Pääkkönen, Sani Lappalainen, Otto Koivuranta, Jukka Viuha, Penna Tornberg and many other glassblowers from Nuutajärvi. The metal parts: Silversmith Kirsi Kokkonen together with Milla Vaahtera Electric work Ullanlinnan sähkö Vaahtera began to work on this series in May 2017 together with glassblowers Paula Pääkkönen, Sani Lappalainen, Pauli Vähäsarja, Henni Eliala and Jonas Paajanen of Nuutajärvi. The metal parts were prepared by silversmith Kirsi Kokkonen together with Milla Vaahtera. The method was based on dialogue with the glass artists, improvisation and intuition. The ethereal pieces are a revival of the mobile tradition that emerged in the 1930s.The heavy glass parts and the delicate brass seek a balance with each other, thus creating tensions within the works. Milla Vaahtera (born 1981) is a designer and an artist working in Helsinki. The themes of her works extend from body image and sexuality to intuition and dialogues in the creative progress. Vaahtera has graduated as a Master of Arts in 2010 from Aalto University, the School of Arts, Design and Architecture. She did her BA studies in Lahti Institute of Design in 2008. Her work is featured in several exhibitions at galleries and museums including the Design Museum Finland, Lokal gallery and UU Market...

Sculptural light no. 72 by Milla Vaahtera Dimensions: W 96 x D 55 x H 60 cm Materials: Glass In 2020 Milla Vaahtera started a series of unique sculptural lights made out of brass and hand blown glass. "I have focused on mobile art work for the past few years and this series with light is a natural continuum of that work. These lights are all unique and made by a very intuitive process. Glass parts are made in collaboration with a team of glass blowers from Nuutajärvi Glass Village. The creative process of joining methods of art to traditional areas of craft is the most important thing to me in my work. Traditionally craft has been an area where professionals avoid failure. Lack of failure makes them good. I'm revolutionary in embracing failure in the craft process. I always find new techniques via failure. Failure is not opposite to success, it's a necessary part of it. When I find the flow of “not giving a shit” in my work, I find freedom and fun, and achieve the best work. Embracing failure shuts up the critical comments in my head and I’m liberated. I´m inspired by everything and find influences all around me. I find leaving some tool marks to the brass and "the mistakes" refreshing. With glass, the pieces where you could see the moment of melt in the final work are always my favorites. And I felt that now I work in dialogue with glass. I learned to use improvisation at the moment to maintain the wild nature of glass. Glass is like me, spontaneous and organic. " Glassblowers: Paula Pääkkönen, Sani Lappalainen, Otto Koivuranta, Jukka Viuha, Penna Tornberg and many other glassblowers from Nuutajärvi. The metal parts: Silversmith Kirsi Kokkonen together with Milla Vaahtera Electric work Ullanlinnan sähkö Vaahtera began to work on this series in May 2017 together with glassblowers Paula Pääkkönen, Sani Lappalainen, Pauli Vähäsarja, Henni Eliala and Jonas Paajanen of Nuutajärvi. The metal parts were prepared by silversmith Kirsi Kokkonen together with Milla Vaahtera. The method was based on dialogue with the glass artists, improvisation and intuition. The ethereal pieces are a revival of the mobile tradition that emerged in the 1930s.The heavy glass parts and the delicate brass seek a balance with each other, thus creating tensions within the works. Milla Vaahtera (born 1981) is a designer and an artist working in Helsinki. The themes of her works extend from body image and sexuality to intuition and dialogues in the creative progress. Vaahtera has graduated as a Master of Arts in 2010 from Aalto University, the School of Arts, Design and Architecture. She did her BA studies in Lahti Institute of Design in 2008. Her work is featured in several exhibitions at galleries and museums including the Design Museum Finland, Lokal gallery and UU Market...

Sculptural Light No. 29 by Milla Vaahtera. Dimensions: W 90 x H min 60 cm. Materials: Glass, Brass. In 2020 Milla Vaahtera started a series of unique sculptural lights made out of brass and hand blown glass. "I have focused on mobile art work for the past few years and this series with light is a natural continuum of that work. These lights are all unique and made by a very intuitive process. Glass parts are made in collaboration with a team of glass blowers from Nuutajärvi Glass Village. The creative process of joining methods of art to traditional areas of craft is the most important thing to me in my work. Traditionally craft has been an area where professionals avoid failure. Lack of failure makes them good. I'm revolutionary in embracing failure in the craft process. I always find new techniques via failure. Failure is not opposite to success, it's a necessary part of it. When I find the flow of “not giving a shit” in my work, I find freedom and fun, and achieve the best work. Embracing failure shuts up the critical comments in my head and I’m liberated. I´m inspired by everything and find influences all around me. I find leaving some tool marks to the brass and "the mistakes" refreshing. With glass, the pieces where you could see the moment of melt in the final work are always my favorites. And I felt that now I work in dialogue with glass. I learned to use improvisation at the moment to maintain the wild nature of glass. Glass is like me, spontaneous and organic. " Glassblowers: Paula Pääkkönen, Sani Lappalainen, Otto Koivuranta, Jukka Viuha, Penna Tornberg and many other glassblowers from Nuutajärvi. The metal parts: Silversmith Kirsi Kokkonen together with Milla Vaahtera Electric work Ullanlinnan sähkö Vaahtera began to work on this series in May 2017 together with glassblowers Paula Pääkkönen, Sani Lappalainen, Pauli Vähäsarja, Henni Eliala and Jonas Paajanen of Nuutajärvi. The metal parts were prepared by silversmith Kirsi Kokkonen together with Milla Vaahtera. The method was based on dialogue with the glass artists, improvisation and intuition. The ethereal pieces are a revival of the mobile tradition that emerged in the 1930s.The heavy glass parts and the delicate brass seek a balance with each other, thus creating tensions within the works. Milla Vaahtera (born 1981) is a designer and an artist working in Helsinki. The themes of her works extend from body image and sexuality to intuition and dialogues in the creative progress. Vaahtera has graduated as a Master of Arts in 2010 from Aalto University, the School of Arts, Design and Architecture. She did her BA studies in Lahti Institute of Design in 2008. Her work is featured in several exhibitions at galleries and museums including the Design Museum Finland, Lokal gallery and UU Market...

Chandelier by Maison Lunel. Designed and made in France, 1950s. Six opaline glass demi globes. Takes 6 candelabra bulbs. Complimentary US rewiring upon request. Can also be used as ...

The Hilbers Chandelier is named for Brian Hilbers, a true California free spirit and the designer of Andrea’s first surfboard. About Pisces Pisces is perhaps Andrea’s most personal collection to date. An avid surfer whose ideal morning involves riding the waves in Malibu, she channeled the ocean’s fluid rhythms, sunlit hues, and sculptural contours in designing each of the fixtures. But her inspiration dives even deeper and surfaces even more specifically. Alone on the sea with her board, Andrea observed the mesmerizing movement of glowing kelp blades through the deep blue water. She thought about how the presence of kelp is a sign of a healthy ocean. An idea began to take shape. Back in her studio in Los Angeles, she brought her vision to life, choosing smooth, floating brass and undulating aqua-colored fiberglass to echo the textures and colors she had admired, and she and her team carefully engineered the elements to flow seamlessly around each other, wave-like. Even the fixture names, which honor iconic surfboard designers, hold special resonance for Andrea. The Hilbers Chandelier is named for Brian Hilbers, a true California free spirit (he has said that when it comes to surfboard design, “the only rules is no rules”) and the designer of Andrea’s first board. The McTavish Chandelier...

Cristian Andersen (*1974) has been working at the interface between design and sculpture for a long time. His works are, among other things, often produced using the casting process,...

Cristian Andersen (*1974) has been working at the interface between design and sculpture for a long time. His works are, among other things, often produced using the casting process, whereby a wide variety of materials such as ceramics, concrete or polyester-polyurethane are used and often color pigments are added. In addition to experimenting with the above-mentioned casting techniques, metalworking is also often used in Andersen’s implementation. His works are in the collections of the Danish Art Council, the Collection of the City and Canton of Zurich, Zabludowicz Collection, Mark H. Getty Collection London, Speyer Family Collection New York, Zürcher Kantonalbank, Credit Suisse...