Turned Chandeliers and Pendants
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Creator: Wooda
Technique: Turned
Dråpe Pendant Lamp in Oiled Walnut and Turned Brass by Ronny Buarøy for Wooda
By Ronny Buarøy, Wooda
Located in Omro, WI
Words from the designer: Dråpe (Norwegian for drop) is based on the shape of a water drop. The open end means the design completely changes when viewed from different angles. I just ...
Category
21st Century and Contemporary Norwegian Scandinavian Modern Turned Chandeliers and Pendants
Materials
Brass
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'Repose 260' Pendant Lamp by Gamfratesi for Lyfa, Brass Finish
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"0024XXL" is an extra large sized pendant lamp, with triple the diameter of the classic lamp originally designed by Gio' Ponti in 1932, manufactured by FontanaArte, featuring a chrome plated brass frame and transparent tempered glass discs. The 11.8" diameter central tubular sandblasted glass diffuser holds four G5 54W fluorescent light sources with DALI digital electronic power supply. The four suspension cables are housed in the canopy cover and the required length should be indicated at time of ordering.
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The lamp is levelled once mounted, using special tensioners fitted to the suspension cables. A version with methacrylate discs and/or emergency lighting is available upon request. In this case, two beams of light ensure about one hour of autonomy without power supply. Ceiling strength should be verified in advance, due to the weight of the lamp (about 661 Lbs for glass disc version and about 440 Lbs for the methacrylate disc version).
GIO' PONTI, right from the start, was active in the fields of architecture, painting, graphics and set design as an eclectic character. He graduated from Milan Polytechnic in 1920 and was art director for Richard Ginori from 1923-1930. In 1926, with editor Gianni Mazzocchi, he founded the magazine Domus, staying on as editor until his death. He was invited to take over the art direction of Luigi Fontana in 1931 and in 1932 he founded FontanaArte with Pietro Chiesa.
He was one of the promoters of the Compasso d’Oro Award and a founder member of the ADI (Italian association for industrial design), as well as curating programmes for the Milan Triennale on many events and teaching at Milan Polytechnic.
He designed numerous famous public and private buildings, including the houses in Via De Togni, the tower-house in Corso Venezia, offices for
RAI and Ferrania, the Littoria tower in Parco Sempione, the Pirelli skyscraper in Milan, Taranto Cathedral, Villa Planchart in Caracas and Denver
Museum of Modern Art. In the field of design he created timeless furniture, lighting and objects for FontanaArte, as well as the Superleggera chair
and furniture for Cassina, Christofle cutlery and Richard Ginori china.
Category
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H 54.5 in Dm 55.7 in
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