Ceramic Floor Lamps

Midcentury pair of earthenware Floor Lamps Lardinois.

Cream Base with a Satin finish and Ivory Raffia Shade Estimated processing time is 2 weeks from order confirmation Pictured with a Mini Globe LED E27 Bulb. Bulb not included To pa...

Georges Pelletier sun lamp in white enameled ceramic, sculptural floor or table lamp bringing to your space an amazing light experience when...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Floor lamp designed by Anatomy Design in 2010. The Lab Light design came about from a genuine fascination with laboratory equipment and with all those fantastic clamps and levers...

One of a kind ceramic lamp, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and features a cop...

Large classic Danish Mid-Century Modern handmade stoneware floor or table lamp by Danish designer Einar Johansen for Soholm Pottery. Two items available. Beautiful shiny glaze with d...

Iconic Georges Pelletier TOTEM in enameled ceramic, floor lamps set bringing to your space an amazing light experience when the night falls, and a stunning sculptural presence during...

The Vanderbilt Collection consists of two one-of-a-kind monumental floor lamps from Christopher Tennant's 2022 solo exhibition at the Vanderbilt Museum in Long Island, New York, inspired by the tastes and eccentricities of globetrotting amateur naturalist and Jazz-Age aesthete William "Willie the K" Vanderbilt. Jumbo Crab Lamp...

Sun lamp in white, gold and tan enameled ceramic, sculptural floor or table lamp bringing to your space an amazing light experience when the night falls, and a stunning sculptural presence during the day. Approximate dimensions: Height 80 cm x diameter 75 cm. Signed on the base by the artist, delivered with a “Certificate of Authenticity”. Georges Pelletier (1938) is a great contemporary artist exploring the fields of ceramics and lighting, since the 1950s. Born in Brusels in 1938. At the tender age of 12 he enrolls in the École du Pioulier, founded by Célestin Freinet and located in Vence in the South of France. Here he learns free and modern art and discovers drawing and ceramics. During this period Pelletier starts showing solidarity and relief based on the principle of equality. This formation lends him a unique artistic identity. Georges Pelletier arrives to Paris in 1953 and continues with his drawing studies at l’Académie Charpentier meanwhile he still frequents Fernand Léger’s workshop. He enrolls the school of Métiers d’Art in 1955. Pelletier deepens into the world of ceramics during his time at Claude Pantzer’s workshop and the Potiers d’Accolay where he meets Raphael Giarusso...

Set of 2 standing lamp by Olivia Cognet. Materials: ceramic, fabric, metal. Dimensions: H 50 cm A new take on the curves of nature in a series of lamps that produce a diffuse light ...

"R2D2" table or floor lamp in white enameled ceramic, table lamp bringing to your space an amazing light experience when the night falls, and a stunning sculptural presence during th...

Set of 2 small contemporary floor lamps by FAINA Design: Victoriya Yakusha Material: upcycled steel, flax rubber, wood chips, cellulose, and clay all with biopolymer cover Dimen...

Pair of one of a kind ceramic lamps, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and features a raw, unglazed ceramic s...

B.A.R.E 'Tall' Floor Lamp is a piece that forms part of the series Brick, Appliances, Rods and Electricity (B.A.R.E). This collection of lamps is produced with bricks or tiles on the bases, from which iron rod structures and electric quick connectors grow to bring the light to the lamp. With these simple systems, Lucas Muñoz...

The Willow floor lamp is a perfect combination of slender elegance and sheer mass. The hand-shaped black walnut base comes from a tree that fell from a neighbor on to the designer's ...

Set of 2 medium Contemporary floor lamps by Faina Design: Victoriya Yakusha Material: Upcycled steel, flax rubber, wood chips, cellulose, and clay all with biopolymer cover Dimen...

Amazing pair of Ugo Zaccagnini, gold brass base and blue ceramic Chinese Buddha lamps, circa 1950 by Designer Ugo Zaccagnini. Made in Italy. Beautiful unique pair of matching lamps....

The Toshiro table lamp surprises by its size and does not leave indifferent. To emancipate oneself from the main function of the lamp through non-standard dimensions and to reveal i...

One of a kind ceramic lamp, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and features a raw, unglazed ceramic surface to...

Pair of one of a kind ceramic lamps, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and featu...

Set of 2 Sculpted Clay Floor Lamps by Faina Design: Victoriya Yakusha Material: clay, wood (ash) Dimensions: 170 x 50 x 50 cm Weight: 63 kilos. *All our lamps can be wired according...

Set of 2 contemporary floor lamps by Faina. Design: Victoriya Yakusha. Material: cotton, ceramics. Dimensions: 50 x 170 cm. Weight: 50 kg. *All our lamps can be wired accordin...

Set of 2 sculpted clay floor lamps by FAINA Design: Victoriya Yakusha Material: clay, wood (ash) Dimensions: 170 x 50 x 50 cm Weight: 63 kilos. *All our lamps can be wired acc...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Lighting Acquisitions Of A Pair of 1970's Southwest...

The Lab Light design came about from a genuine fascination with laboratory equipment and with all those fantastic clamps and levers — the perfect place to start designing a multi-fun...

Fern Green Glaze Satin Mushroom floor lamp by Nick Pourfard Dimensions: Ø 51 x H 122 cm. Materials: ceramic. Different finishes available. All our lamps can be wired according...

Bone white raw mushroom floor lamp by Nick Pourfard Dimensions: Ø 51 x H 122 cm. Materials: ceramic. Different finishes available. All our lamps can be wired according to each...

The Toshiro table lamp surprises by its size and does not leave indifferent; one meter all the same. Measure: 85cm height. To emancipate oneself from the main function of the lamp t...

The Toshiro table lamp surprises by its size and does not leave indifferent. To emancipate oneself from the main function of the lamp through non-standard dimensions and to reveal i...

Bjørn Wiinblad (1918-2006), Denmark. Two colossal unique floor lamps in blue-glazed ceramics, decorated with young women surrounded by floral ornamentation. Original yellow scree...

The Jive bespoke floor lamp is designed by Egg Designs and hand crafted in South Africa. The Jive range has a 70's aesthetic with a strong moder...

Floor lamp designed by Anatomy Design in 2010. The Lab Light design came about from a genuine fascination with laboratory equipment and with all those fantastic clamps and levers...

Ceramic F Lamp, 2022 Rooted in the intersection of man and nature, this uncanny collection employs recyclable, metalized ceramic insulator modules — conventionally used in electri...

Two table lamps. Height base 39 cm. Width 17 cm. Depth 16 cm. Total height 70 cm. Diameter shade 33 cm. Shades shown are for demonstration purposes only.

This Giacometti floor lamp by Bailey Fontaine is inspired by the works of Alberto Giacometti. The lamp is sculpted from unconventional materials ...

One of a kind ceramic lamp, hand built and assembled by hand. The lamp base is comprised of speckled clay manufactured regionally to the East Coast with custom made matte finish whit...

One of a kind ceramic lamp, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and features a raw, unglazed ceramic surface to...

This table with light comes from Maarten Baas’s Plain Clay collection. This collection was originally developed for the Mendini restaurant in the Gron...

Chic Dorothy Draper style black and white floor lamps side tables having white ceramic urn shaped bases, black slate round table tops and squar...

Very rare and nice 19th century ceramic urn table lamps or floor lamps from the south of Europe. Measures: Diameter 22 cm. Height 32 cm and w...

This floor light comes from Maarten Baas’s Plain Clay collection. This collection was originally developed for the Mendini restaurant in the Groninger Museum. Unlike the clay seri...

Taking the span of almost a year from inception to completion, we are so thrilled to share our new collection which is available now for Pre-Order. The New Moringa Floor Sculpture ...

An exceptional pair of large ceramic table/floor lamps, Germany/Denmark, 1960s. Sculptural high-end pieces made of handmade ceramic in rich blue tones, with glazed finishes. With new...

A 19th century pair of black Porcelain lamps on ormolu bases with gold star detailing.

Two Italian brass table lamps with ceramic artichoke leaves. In the manner of Maison Charles. France, 1950s. Diameter ceramic base 39 cm. Height ceramic base 35 cm. Height of ceram...

Floor lamp with a handmade porcelain design in black. Beauty of the Night. Such is the name of the plant whose petals reflect the moonlight, thus acquiring the magical property of glowing in the dark. This striking species provides the inspiration for the Belle de Nuit...

Floor lamp in porcelain from the Firefly collection, inspired by the fascinating light emitted by fireflies on warm summer nights. This is how this series of original lighting design...

A lighting solution inspired by totem poles, this floor lamp will infuse any decor with its bold personality. The vertical structure in solid cherry is composed of a central column c...

A singular and captivating design of strong visual impact, this floor lamp inspired by totem poles is sure to be the focal point in a modern living room or home office. Combining cer...

Ceramic lamp NOOR cod. LC003 handcrafted in bronze with cotton lace lampshade measures: Height 180.0 cm., diameter 60.0 cm.

Two ceramic owl table lamps. Measures: Diameter 44 cm. Height 82 cm. Height ceramic base 50 cm. Total height without shade 77 cm. One E27 bulb. Shades shown are for demonstration pu...

A pair of ceramic Marcello Cuneo table lamps for Gabbianelli. Italy, 1966. Op de laatste vier foto's ziet u de lampen met 25 watt en 15 watt aan.

Two Italian ceramic table or floor lamps in white and blue. Measures: Diameter base 30 cm. Diameter shade 65 cm. Height base without socket 36 cm and with socket 42 cm. Total heigh...

A pair of ceramic table lamps.

A minimal Italian floor lamp designed by Achille Castiglioni titled 'Bi Bip' with white ceramic half-dome base and head, a pivoting brushed metal shade and a wi...

Ceramic lamp MIDA 4 cod. LM004 handcrafted in 24kt gold with cotton lampshade Measures: H. 170.0 cm. Dm. 50.0 cm.

Beautiful contemporary golden glazed ceramic table Lamp on a black teak pedestal. The great designed bulby ceramic body reminds on irregular formed honeycombs and shows a warm golden...