Asian Floor Lamps

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Pair of large and impressive bronze, marble and composition Louis XVI style six light painted and gilt torchères. Electrified. Bronze and composition mounted on Sienna marble bases.  

A dynamic and very stylish pair of Geometric designed Bronze Floor Lamps made in India for Jamie Young. The tall supports made of faceted tapering sections...

A circa 1940's etched bronze Turkish floor lamp with enamelled decoration. Measurements: Height of body: 53.5" Height to shade rest: 63" Diameter a...

Early 20th century cast bronze floor lamp with neolithic Chinese motif 13" diameter at the base x 74" high The wiring needs to be updated (please see images) This is truly an exception cast bronze lamp. The Chinese motifs around the base also have a strong resemblance to Mayan motifs...

This lovely floor lamp is designed and made by renown artist Zhipeng Tan. Size and color are customizable upon request, lead time is 45-60 days. Since graduating with an Industria...

Maestro is part of the Orchestra Family, which strikes a chord with its organic, sculptural forms. This collection takes its inspiration from natural musical forms, as well as modern...

Our Mino 18 floor lamp is a striking geometric lighting sculpture that brings a touch of Japanese Modernism to Aqua Creations’ range of floor lamps....

The walking floor lamp can also be used as a sculpture or an accent piece in the interior. It is handmade by renowned Chinese artist Zhipeng Tan and can be customized in size and col...

This lovely floor lamp is designed and made by renown artist Zhipeng Tan. Size and color is customizable upon request, lead time is 45-60 days. Since graduating with an Industria...

This lovely floor lamp is designed and made by renown artist Zhipeng Tan. Size and color is customizable upon request, lead time is 45-60 days. Since graduating with an Industria...

Japanese bronze cloisonne floor lamp, probably, circa 1930s. Beautiful patina to the bronze and intricate cloisonne work throughout. It has been r...

19th century antique Japanese Meiji bronze floor lamp. This finely cast, well composed, pedestal lamp depicts mythical creatures on the base, cranes in high relief on the stem are...

The walking floor lamp can also be used as a sculpture or an accent piece in the interior. It is handmade by renowned Chinese artist Zhipeng Tan and can be customized in size and color. Keyword: Floor lamp, lighting, sculpture About the artist: Since graduating with an Industrial design degree from the China Academy of Art in Hangzhou, Zhipeng Tan has focused on the ancient technique of lost-wax casting. Through this foundry process, rich in heritage and tradition, Tan explores his interest in organic forms. Often inspired by his environmental surroundings such as water and plants, he explores anthropomorphic themes, as well. Though trained as an Industrial designer, he has become an accomplished self-taught sculptor, eagerly exploring the elastic and permeable boundaries between art and design and finding a harmonious fusion of sculpture and furniture, provocative objects of both beauty and utility. In spite of his rigorous training in computer modeling, Tan develops all of his concepts exclusively with hand drawing, preferring the direct connection to his work that sketching provides. As he likes to say, “Every line in the artwork is touched by me.” Most of his work is hand-sculpted in clay and the final work is achieved through casting, hammering, welding and polishing. He has chosen brass as his preferred medium in part because of its connection to historical tradition, but most especially because of its warm color, rich luster and versatility. Though from his early work, one may sense the influence of Joan Miró, Henry Moore and Constantin Brancusi and in his more recent pieces there is a nod to the Post-Pop sensibilities of Jeff Koons and Takashi Murakami, the work of Zhipeng Tan is thoroughly original, an expression of his exuberance and imagination. In all of his work, one may see an exploration of our fundamental humanity and a desire to discover worlds within worlds. From the 33 Step Chair...

This lovely floor lamp is designed and made by renown artist Zhipeng Tan. Size and color is customizable upon request, lead time is 45-60 days. Since graduating with an Industria...

This lovely floor lamp is designed and made by renown artist Zhipeng Tan. Size and color is customizable upon request, lead time is 45-60 days. Since graduating with an Industria...