Italian Floor Lamps

Amaizing pair 19th century French bronze prickets of generous scale mounted as floor lamps. New electrical.

This pair of magnificent torcheres are of the finest quality carved wood, gilding and faux marble painting. Each are comprised of a giltwood cherub or putto figure sitting on faux m...

19th Century Blacksmith Made Gothic wrought iron floor lamp This is a very unusual Gothic Wrought Iron Floor Lamp the stand is blacksmith made, it stands on 3 feet and takes a wax candle which sits in the centre sconce...

Italian Florentine hand carved wood torchère as floor lamp, a tall solid cembran pinewood pricket carved on three sides, with a deep acanthus leaf and flowers carving, resting on tri...

Pair of large and impressive bronze, marble and composition Louis XVI style six light painted and gilt torchères. Electrified. Bronze and composition mounted on Sienna marble bases.  

Floor lamp. Lamp base in fluted and gilded wood, Louis XVI style. Early XXth. Very decorative. French work Provenance: Castle in France The Louis XVI style was born in France...

French Louis XVI-style (19th Century) floor lamp. Gilt and black patinated bronze. 4 candelabra arms, later wired. Resting on a tripod base with each leg ending in paw feet. Finely...

Italian baroque-style carved giltwood floor lamp converted from a pricket candlestick with scrolling and foliate details. Dimensions: 77.5"H (to finial) x 24"Dia. Ask us about our NY...

Pair of French Louis XVI style candelabra torchieres.

Pair of circa 1940's English silver-plated torcheres with uplight and with finely etched bases. Measurements: Total height: 64" Diameter: 10"

This is a Shonan Kosakusho daylight signalling lamp made in 1981, married with a Russian military gyroscope tripod. Reclaimed from Mid-Century war ship...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...